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NEW: Indigenous Heritage and Rock Art Worldwide Research in Memory of Daniel Arsenault edited by Carole Charette, Aron Mazel and George Nash. Paperback; 205x290mm; 210 pages; illustrated throughout in colour and black & white. Papers in English and French. 691 2020. Available both in printed and e-versions. Printed ISBN 9781789696899. £38.00 (No VAT). Epublication ISBN 9781789696905. £16.00 (Exc. VAT) Institutional Price £38.00 (Exc. UK VAT) Book contents pageBuy Now

Professor Daniel Arsenault, along with his wife, Nadine Desbiens, and stepson, Jacob Desbiens-Doyle, were sadly taken from this world in 2016 following a tragic car accident. Daniel was the leading exponent in Canadian Shield rock art. Working in the northern part of Quebec, Daniel explored many hundreds of square kilometres of this vast area for rock art. Working with ethnographers and First Nation people, Daniel became a formidable force in promoting this little known assemblage, lecturing all over the world and stimulating audiences wherever he went. Complementing his knowledge of rock art, Daniel also had a deep understanding of the heritage of the people whose ancestors made the images. Shortly before his death, Daniel was made an Erasmus Mundus Professor at Polytechnic Institute of Tomar in Portugal. Here, he was due to share his wealth of knowledge and enthusiasm about rock art and cultural heritage to an attentive audience.

Daniel clearly had much more to offer, and this book is an extension of his ways of thinking. He has left an important legacy that has touched the lives of many, including people who contributed to this volume.

The book has 14 thought-provoking chapters and deals with Daniel’s first love - the archaeology of artistic endeavour. It gathers together both academic colleagues and family who share with the reader elements of Daniel’s life. The book is also a serious academic volume, providing the reader with new ideas about the interpretation and dating of rock art, ethnography, heritage and material culture.

About the Author
Carole Charette holds a PhD in art education and design at Concordia University, Quebec; an MFA in stylistic interpretations in typography and a degree in graphic design at Université Laval, Quebec; a certificate in multimedia at Sheridan College, Ontario; and a diploma in exhibition design at Collège du Vieux-Montréal, Quebec. She was an assistant professor at MacEwan University in Edmonton (2014–2018) and has also been a creative director and editor of several publications about design.

Aron Mazel is a Reader in Heritage Studies in Media, Culture, and Heritage at Newcastle University and a Research Associate in the School of Geography, Archaeology and Environmental Sciences at the University of the Witwatersrand.

George Nash is employed at the Museum of Prehistoric Art (Quaternary and Prehistory Geosciences Centre, Maçao, Portugal [IPT]). George has been an academic and professional archaeologist for the past 35 years and has undertaken extensive fieldwork on prehistoric rock-art in Indonesia, Malaysia, Norway, Sardinia, Spain, Sweden, and more recently, the Negev (Israel).

Table of Contents
Préface / Preface ;
Nécrologie / Necrology - Daniel Arsenault ( 1957–2016 ) ;
Daniel Arsenault : The scholarly legacy gone but not forgotten ;
Dancing in the dark with firelight: the power of shaded paintings in the uKhahlamba-Drakensberg and surrounding areas, southeastern Africa – Aron Mazel ;
Contextualising megalithic rock art on Neolithic chambered tombs: A Welsh perspective – George Nash ;
Understanding landscape composition without rock art: A study of panel/canvas behaviour in the Valcamonica, Lombardy, Northern Italy – George Nash ;
Prehistory of central Portugal: brief panoramic of rock art and archaeometry studies – Sara Garcês, Hugo Gomes, Luiz Oosterbeek, Pierluigi Rosina ;
Pleistocene Art at the Beginnings of the Twentieth-First Century: Rethinking the place of Europe in a Globalised Context – Oscar Moro Abadía and Bryn Tapper ;
A multifaceted approach for contextualising the rock art of the Algonquian First Nations in the Canadian Shield – Daniel Arsenault ;
E=mc0, an equation for studying the timeframes of world rock art – Daniel Arsenault ;
NEW: Heritage in the Making: Dealing with the Legacies of Fascist Italy and Nazi Germany edited by Flaminia Bartolini. Paperback; 210x297mm; 158 pages; colour throughout. 5 2020. Available both in print and Open Access. Printed ISBN 9781789698732. £30.00 (No VAT). Institutional Price £50.00 (No VAT). Book contents pageDownload Full PDF   Buy Now

The fifth volume of Ex Novo has the pleasure to host Flaminia Bartolini as guest editor for the special issue titled Heritage in the Making. Dealing with Legacies of Fascist Italy and Nazi Germany. This collection of peer-reviewed papers stems in part from the successful workshop held at McDonald Institute for Archaeological Research, University of Cambridge in December 2018 under the aegis of the DAAD-Cambridge Hub. The event gathered several international heritage experts and professionals from both Germany and Italy to explore the complexities of handling Heritage related to Fascism and National Socialism.

The selection of papers contribute much to the debate on the shifting conditions of the reception of dictatorial regimes, and more specifically the fate of fascist material legacies from the aftermath of WWII to the present day.

The second part of this volume includes an additional contribution by Aydin Abar which keeps in with the broad theme of political reappropriation of the past lying at the core of Bartolini’s collection of papers but strays away from their geographical focus by extending the analysis to the exploitation of Achaemenian material legacies in reinforcing nationalist narratives in nineteenth and twentieth century Iran.
NEW IN PAPERBACK: Natter’s Museum Britannicum: British gem collections and collectors of the mid-eighteenth century by John Boardman, Julia Kagan and Claudia Wagner with contributions by Catherine Phillips. Paperback ; iv+304 pages; illustrated throughout in colour and black & white. Print RRP: £55.00. 379 2017. ISBN 9781789698107. £55.00 (No VAT). Book contents pageBuy Now

The German gem-engraver, medallist, and amateur scholar Lorenz Natter (1705- 1763), was so impressed by the size and quality of the collections of ancient and later engraved gems which he found in Britain that he proposed the publication of an extraordinarily ambitious catalogue – Museum Britannicum – which would present engravings and descriptions of the most important pieces. He made considerable progress to this end, producing several hundred drawings, but in time he decided to abandon the near completed project in the light of the apparent lack of interest shown in Britain. Only one of the intended plates in its final form ever appeared, in a catalogue which he published separately for Lord Bessborough’s collection. On Natter’s death the single copy of his magnum opus vanished mysteriously, presumed lost forever.

All hope of recovering Natter’s unpublished papers seemed vain, and their very existence had come to be doubted. Yet they were to be found more than two hundred years after his death, in Spring 1975, when the classical scholar and renowned expert in gems, Oleg Neverov, chanced upon them at the bottom of a pile of papers in the archives of the State Hermitage Museum in St Petersburg. Neverov and his colleague Julia Kagan carried out the initial research on the Hermitage manuscripts and produced the first published account of this archival treasure.

The present volume builds upon their earlier work to produce the first comprehensive publication of Museum Britannicum, offering full discussion in English and presenting Natter’s drawings and comments alongside modern information on the gems that can be identified and located through fresh research. This book is the result of a ten-year collaboration between scholars on the Beazley Archive gems research programme at Oxford’s Classical Art Research Centre and the State Hermitage Museum. It fulfills Natter’s vision for the Museum Britannicum – albeit two and a half centuries late – to the benefit of art historians, cultural historians, curators, and gem-lovers of today.

Please note, the hardback edition (ISBN 9781784917272) is now sold out.

Travelling the Korosko Road: Archaeological Exploration in Sudan’s Eastern Desert edited by W. Vivian Davies and Derek A. Welsby. Hardback; 205x290mm; 252 pages; 493 plates, 74 figures (colour throughout). 688 2020 Sudan Archaeological Research Society Publication 24. Available both in print and Open Access. Printed ISBN 9781789698039. £60.00 (No VAT). Epublication ISBN 9781789698046. Book contents pageDownload Full PDF   Buy Now

This volume publishes accounts of archaeological exploration carried out during the last 30 years or so in the Sudanese Eastern Desert. It is divided into two related parts.

The first and foremost covers results from the work of the Centro Ricerche sul Deserto Orientale (CeRDO), which is based at Varese in northern Italy. Between 1989 and 2006, CeRDO, directed by the brothers Alfredo and Angelo Castiglioni, ran a pioneering programme of expeditions, which traversed the so-called ‘Korosko Road’ (the main desert route connecting Egypt and Sudan) and followed multiple other tracks throughout the Eastern Desert. They encountered in the process a rich archaeological landscape, hundreds of previously undocumented sites, many frequented over millennia, prominent among them gold-production areas and their associated settlements. The CeRDO record, the photographic database, the material retrieved, to which several of the papers published here are devoted, are now all the more valuable, in that many of these sites have since been badly disturbed and some entirely destroyed by recent goldmining activities.

The second part, introduced by a concise account of the historical usage of the Korosko Road, reports in full on a single, short season of documentation, organized in 2013 under the auspices, and with the support, of the Sudan Archaeological Research Society. Its main aim was detailed recording of a group of pharaonic rock-inscriptions discovered by CeRDO expeditions, most located along the Korosko Road and almost all related to the colonial gold-working industry. The project included also a degree of investigation and mapping of the wider context, as well as the recording and study of associated archaeological material, in particular of ceramic remains. The results complement and usefully extend in part those of CeRDO.
An Educator's Handbook for Teaching about the Ancient World edited by Pınar Durgun. Paperback; 156x234mm; 248 pages; illustrated throughout in colour. 670 2020. Available both in print and Open Access. Printed ISBN 9781789697605. £30.00 (No VAT). Epublication ISBN 9781789697612. Book contents pageDownload Full PDF   Buy Now

With the right methods, studying the ancient world can be as engaging as it is informative. Many K-12 teachers, university instructors, and museum educators use hands-on, project-based, and experiential activities in their classes to increase student engagement and learning. This book aims to bring together such pedagogical methods and teaching activities about the ancient world for any educator to use. The teaching activities in this book are designed in a cookbook format so that educators can replicate these teaching "recipes” (which include materials, budget, preparation time, levels of students) in their ancient art, archaeology, social studies, and history classes. They can be implemented online or in-person, in schools, universities, libraries, museums, or at home. Find out more about the book and the contributors here.

About the Editor
Pınar Durgun is an art historically-trained archaeologist with a background in anthropology, cultural heritage, and museums, passionate about outreach and education. She received her Ph.D. from Brown University and has been teaching for about a decade in universities, museums, and school classrooms about archaeology and the ancient world. As a dedicated public scholar and educator, Dr. Durgun hopes to make academic information about the ancient world accessible, fun, and inclusive.
Public Archaeologies of Frontiers and Borderlands edited by Kieran Gleave, Howard Williams and Pauline Clarke. Paperback; 203x276mm; 270 pages; illustrated throughout in colour and black & white. 126 . Available both in print and Open Access. Printed ISBN 9781789698015. £45.00 (No VAT). Epublication ISBN 9781789698022. Book contents pageDownload Full PDF   Buy Now

From IndyRef and Brexit to the Refugee Crisis and Trump’s Wall, the construction and maintenance, subversion and traversing of frontiers and borderlands dominate our current affairs. Yet, while archaeologists have long participated in exploring frontiers and borderlands, their public archaeology has been starkly neglected. Incorporating the select proceedings of the 4th University of Chester Archaeology Student conference hosted by the Grosvenor Museum, Chester, on 20 March 2019, this is the first book to investigate realworld ancient and modern frontier works, the significance of graffiti, material culture, monuments and wall-building, as well as fictional representations of borders and walls in the arts, as public archaeology. Key themes include the heritage interpretation for linear monuments, public archaeology in past and contemporary frontiers and borderlands, and archaeology’s interactions with mural practices in politics, popular culture and the contemporary landscape. Together, the contributors show the necessity of developing critical public archaeologies of frontiers and borderlands.

About the Editors
Kieran Gleave is currently an archaeologist with the University of Salford. He graduated from the University of Chester in 2019 after graduating with a BA (Hons) Archaeology degree. ;

Howard Williams is Professor of Archaeology at the University of Chester and researches public archaeology and archaeologies of death and memory. He writes an academic blog: Archaeodeath. ;

Pauline Magdalene Clarke is a postgraduate researcher at the University of Chester, having recently completed both her BA (Hons) and MA there. She has a particular interest in material culture, and how it can demonstrate change (or not) in borderlands in the Anglo-Saxon period. She has recently published a review of the PAS finds from Cheshire for that period.

Reviews
'With libraries closed and bookshops closing down, there has never been a better time for open access books like this one that can be downloaded for free from publishers' websites. Its origins in a student conference at the University of Chester are obvious and admirable: there are several excellent papers by students including Fisher on the archaeology of homelessness and Clarke on Playmobil-based public engagement.'—Gabriel Moshenska, British Archaeology, No. 176
A Latin Lexicon: An Illustrated Compendium of Latin Words and English Derivatives by Caroline K. Mackenzie. Illustrations by Amanda Short. Hardback; 156x234mm; 142 pages; colour design throughout, 20 full-colour illustrations. 677 2020. Available both in printed and e-versions. Printed ISBN 9781789697629. £24.99 (No VAT). Epublication ISBN 9781789697636. £19.99 (Exc. VAT) Book contents pageBuy Now

A charming compendium of Latin words and English derivatives, encompassing over 365 words required for Latin GCSE, one for each day of the year. Each Latin entry is accompanied by key notes on grammar, translations and some playful and memorable derivatives. A concise introduction and a glossary of Latin in common usage combine to make this a vade-mecum (essential companion) for all learners of Latin as well as cruciverbalists. The text is imaginatively punctuated by 20 full-colour illustrations by Amanda Short.

About the Author
Caroline K. Mackenzie read Classics at Pembroke College, Cambridge. After a legal career in London, she became Head of Classics at a school in Sevenoaks. In 2018 Caroline was awarded distinction in an MA in Classical Art and Archaeology at King’s College London. Caroline offers online private tutoring in Latin and Greek and runs online Classical reading groups for all ages and abilities. Caroline’s first book, Culture and Society at Lullingstone Roman Villa was published by Archaeopress in 2019.

Praise for This Volume:
Carpe verba! (Grasp the words!) A hugely fun and useful tool for Latin learners. I wish I’d had this book when I was learning Latin.’ – Caroline Lawrence, author of The Roman Mysteries. ;

‘The narrator of a recent French historical novel muses: 'My whole life I owe to Greek. If I hadn't known how to conjugate the aorist, where to put the stresses, how to recite -mi verbs, I would never have been able to escape my menial little existence. Declensions proved to be the instrument of my ascent'. Pari passu and mutatis mutandis, that surely is what every reader will say after reading, marking and inwardly digesting Caroline Mackenzie's brilliant Latin Compendium.’ – Professor Paul Cartledge, University of Cambridge. ;

‘A handsome and lively introduction to Latin through its core vocabulary and derivatives. Everyone should have a copy.’ – Dr Daisy Dunn, author of In the Shadow of Vesuvius. ;

‘This delightful, illustrated book will serve two purposes: the straightforward English derivatives will help students remember their Latin vocabulary, and the recondite ones will give a head start for the Scrabble board or cryptic crossword.’ – Dr John Taylor, author of Essential GCSE Latin. ;

‘Latin can be fun, who knew? A real must for anyone learning Latin or interested in language. I genuinely LOVE this book. It is a fantastic idea and looks absolutely beautiful.’ – Celia Rees, author and former English teacher. ;

‘Elegantly presented, entertaining, and educational.’ – Ruth Downie, author. ;

'The perfect book for anyone who, like me, wishes they had understood Latin at school. Why did our teachers tell us it is a "dead language", and not how useful it would be in real life?’ – Janie Hampton, author. ;

‘A thoroughly helpful volume, great for both reference and pleasure, ideal for both the crossword and the classroom.’ – Michelle Lovric, author.

‘This is a well-presented book, packed with information for teachers, students and anyone interested in language, and Latin in particular.’ – Mike Smith, Classics for All, November 2020
Archaeogaming Una introducción a la arqueología en y de los videojuegos by Andrew Reinhard. Paperback; 148x210mm; 298 pages; illustrated throughout in black & white. Spanish text. 30 2020. ISBN 9788416725083. £18.00 (No VAT). Book contents pageBuy Now

Video games are an example of material objects, resources and spaces that people use to define their culture. They also serve as archaeological sites in their traditional sense of place. Places where evidence of past activity is preserved and archaeological methodology can be applied. This book serves as a general introduction to archaeogaming: it describes the intersection between archaeology and video games, and applies archaeological theory and method to understand video games as sites as well as artifacts. It is also history, sociology and ontology; and everything that is necessary to define a culture, that of videogames, that is no longer emerging, but has been completely established in the humanity of the Anthropocene and late capitalism. What makes its valuation and cataloging more necessary as digital heritage.
Paisaje y patrimonio Un mismo destino a compartir by Josep Ballart Hernández. Paperback; 125x175mm; 140 pages. Spanish text. 25 2018. ISBN 9788416725212. £13.00 (No VAT). Book contents pageBuy Now

After a seminar on heritage management and tourism at Yucatán University, Mexico, prof. Gonzalo Ruiz Zapatero suggested to make a book out of it delving into the concepts of landscape and heritage.

Este libro tiene su origen en un seminario impartido en la Universidad de Yucatán (Mérida), México, sobre gestión del patrimonio y turismo, a invitación del arqueólogo Josep Ligorred. Un par de años más tarde el profesor de la Universidad Complutense de Madrid Gonzalo Ruiz Zapatero me sugirió convertir en libro el trabajo que continuaba aquellas reflexiones, encauzado ahora bajo la denominación de "Paisaje y patrimonio", que el editor Jaime Almansa ha aceptado de publicar en su colección sobre Arqueología. A todos ellos agradezco la parte que les corresponde para que esta propuesta pueda llegar a un público más amplio.
Egypt and Austria XII - Egypt and the Orient: The Current Research Proceedings of the Conference Held at the Faculty of Croatian Studies, University of Zagreb (September 17th-22nd, 2018) edited by Mladen Tomorad. Paperback; 148x210mm; 418 pages; illustrated throughout in colour and black & white. 672 2020. Available both in printed and e-versions. Printed ISBN 9781789697643. £50.00 (No VAT). Epublication ISBN 9781789697650. £16.00 (Exc. VAT) Institutional Price £50.00 (Exc. UK VAT) Book contents pageBuy Now

The 12th Egypt and Austria conference (Zagreb, 17–22 September 2018) was organised by the Egypt and Austria Society and the Faculty of the Croatian Studies of the University of Zagreb. The event took place in the Croatian Institute of History (Opatička 10, Zagreb). The main theme of the conference was current research related to the interactions between Egypt and the states of the former Habsburg Monarchy and the Ottoman Empire up to the middle of the 20th century. During the conference more than 39 papers were presented, of which 26 are presented in this proceedings volume.

About the Editor
Mladen Tomorad is a senior researcher and professor of Ancient History at the Department of History, University of Zagreb. He has a masters degree in History and a PhD in Ancient History and Museology, and he has also studied Egyptology at the University of Manchester.
IKUWA6. Shared Heritage: Proceedings of the Sixth International Congress for Underwater Archaeology 28 November–2 December 2016, Western Australian Maritime Museum Fremantle, Western Australia edited by Jennifer A. Rodrigues and Arianna Traviglia. Paperback; 205x290mm; 698 pages; illustrated throughout in colour. 666 2020. Available both in print and Open Access. Printed ISBN 9781784916428. £95.00 (No VAT). Epublication ISBN 9781784916435. Book contents pageDownload Full PDF   Buy Now

Celebrating the theme ‘Shared heritage’, IKUWA6 (the 6th International Congress for Underwater Archaeology), was the first such major conference to be held in the Asia-Pacific region, and the first IKUWA meeting hosted outside Europe since the organisation’s inception in Germany in the 1990s. A primary objective of holding IKUWA6 in Australia was to give greater voice to practitioners and emerging researchers across the Asia and Pacific regions who are often not well represented in northern hemisphere scientific gatherings of this scale; and, to focus on the areas of overlap in our mutual heritage, techniques and technology. Drawing together peer-reviewed presentations by delegates from across the world who converged in Fremantle in 2016 to participate, this volume covers a stimulating diversity of themes and niche topics of value to maritime archaeology practitioners, researchers, students, historians and museum professionals across the world.

About the Editors
Jennifer Rodrigues graduated as an archaeologist in Australia before specialising her training at the University of Southampton’s Centre for Maritime Archaeology, England, in 2000, after which she joined the Mary Rose Trust. Upon returning to Australia, she worked as a heritage consultant in Victoria and New South Wales, investigating Indigenous heritage sites, before joining the Western Australian Museum as Curator, Collections Manager then Exhibitions Project Manager over 16 years. She completed her doctorate at the University of Western Australia in 2011, and was Editor of the Australasian Journal for Maritime Archaeology from 2012 to 2015. In 2019 she joined the National Museum of Australia in Canberra as Senior Curator of the Centre for Indigenous Knowledges.

Arianna Traviglia is the Coordinator of the IIT Centre for Cultural Heritage Technology (Italy). Trained as an archaeologist, her work primarily focuses on mediating the inclusion of digital technology within the study of archaeological landscapes, especially waterscapes and lagoon environments. From 2006 to 2015 she held positions as Postdoctoral Fellow in Australia at Sydney and Macquarie Universities, before re-entering European academia as recipient of a Marie Curie Fellowship in 2015. She is Co- Editor of the Journal of Computer Application in Archaeology (JCAA) and currently a member of the Management Committee of the EC COST Action Arkwork, and a PI on the H2020 NETCHER project focused on protection of endangered Cultural Heritage.
EurASEAA14 Volume II: Material Culture and Heritage Papers from the Fourteenth International Conference of the European Association of Southeast Asian Archaeologists edited by Helen Lewis. Paperback; 203x276mm; 238 pages; 164 figures, 27 tables. 115 2020. Available both in print and Open Access. Printed ISBN 9781789695939. £45.00 (No VAT). Epublication ISBN 9781789695946. Book contents pageDownload Full PDF   Buy Now

EurASEAA14: Material Culture and Heritage is the second of two volumes comprising papers originally presented at the EurASEAA14 (European Association of Southeast Asian Archaeologists) conference in 2012, updated for publication. The aim of the EurASEAA is to facilitate communication between different disciplines, to present current work in the field, and to stimulate future research. This international initiative aims to foster international scholarly cooperation in the field of Southeast Asian archaeology, art history and philology.

This volume focuses substantially on topics under the broad themes of archaeology and heritage, material culture, environmental archaeology, osteoarchaeology, historic and prehistoric archaeology, ethnoarchaeology, and long-distance contact, trade and exchange.

About the Editor
Helen Lewis is an associate professor at University College Dublin School of Archaeology. Her research in Southeast Asia has mostly focused on cave sites in Laos, Malaysian Borneo, and the Philippine island of Palawan, where she co-directs the Palawan Island Palaeohistory Research Project. She chaired the EurASEAA14 Conference in Dublin in 2012.

Table of Contents (provisional)
Editorial introduction to EurASEAA14 Volumes 1 and 2 – Helen Lewis ;
Ceramics from the Musi riverbed – John N. Miksic ;
The social dynamics of porcelain trade in the eleventh to sixteenth centuries CE Philippines: a chemical composition study – Rory Dennison and Laura Junker ;
The kilns of Myinkaba – for pottery or glass? – Don Hein and W. Ross H. Ramsay ;
The iron smelting technology of the Bujang Valley, Malaysia – Naizatul Akma Mokhtar and Mokhtar Saidin ;
Guide to understanding Khmer stoneware characteristics, Angkor, Cambodia – Chhay Rachna, Tho Thon and Em Socheata ;
New data on the chronology of Khmer stonewares – Armand Desbat ;
The conical rollers of Ban Non Wat, northeastern Thailand – Christina Sewall ;
Late Pleistocene/Holocene ecological and cultural transition in the Philippines – Jonathan H. Kress ;
Middle Pleistocene sites in Bukit Bunuh, Lenggong, Perak, Malaysia – Nor Khairunnisa Talib, Mokhtar Saidin and Jeffrey Abdullah ;
Metabolism, mythology, magic or metaphor? Animals in the rock art of Thailand – Lauren Winch ;
Tooth blackening and betel nut chewing at the Early Iron Age sites of Gò Ô Chùa (Vietnam) and Prohear (Cambodia) – Simone Krais, Michael Francken and Andreas Reinecke ;
The cultural and biological context of the Song Keplek 5 specimen, East Java: implications for living conditions and human-environment interactions during the later Holocene – Sofwan Noerwidi, Harry Widianto and Truman Simanjuntak ;
Probable prehistoric Southeast Asian influences in New Guinea? New archaeological and anthropological approaches to former axioms – Henry Dosedla ;
Ancient settlement in the lakes area of East Java Province, Indonesia: the potential for archaeological research with public benefits – Gunadi Kasnowihardjo ;
The relevance of archaeology to contemporary concerns: the Department of Agriculture of the Philippines and ancient foodways – Michelle S. Eusebio ;
Toward an understanding of cultural heritage and sustainable management: a case study from Phrae Province, Thailand – Mizuho Ikeda ;
Bibliography
An Illustrated Companion to Japanese Archaeology 2nd Edition edited by Werner Steinhaus, Simon Kaner, Megumi Jinno and Shinya Shoda. Paperback; 210x297mm; 352 pages; 209 figures, 248 plates (full colour throughout). 273 2016 Comparative and Global Perspectives on Japanese Archaeology 1. ISBN 9781789693959. £45.00 (No VAT). Book contents pageBuy Now

An Illustrated Companion to Japanese Archaeology provides for the first time a comprehensive visual introduction to a wide range of sites and finds from the earliest occupation of the Japanese archipelago prior to 35,000 years ago to the early historical periods and the establishment of the Chinese-style capital at Heijo, modern-day Nara, in the 8th century AD. The volume originated in the largest ever exhibition of Japanese archaeological discoveries held in Germany in 2004, which brought together over 1500 exhibits from 55 lenders around Japan, and research by over 100 specialists. The Illustrated Companion brings the fruits of this project to an English-reading audience and offers an up-to-date survey of the achievements of Japanese archaeology.

About the Editors
Werner STEINHAUS is Lecturer in Archaeology at Hiroshima University and an Academic Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. ;

Simon KANER is Executive Director of the Sainsbury Institute for the Study of Japanese Arts and Cultures (www.sainsbury-institute.org), where he is also Head of the Centre for Archaeology and Heritage, and Director of the Centre for Japanese Studies at the University of East Anglia, Norwich, UK. ;

Megumi JINNO is Chief Researcher of the Department of Palace Investigations at Nara National Research Institute for Cultural Properties in Japan. ;

Shinya SHODA is Head of the International Cooperation Section at Nara National Research Institute for Cultural Properties in Japan, and an Academic Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures, UK.
The Hippodrome of Gerasa A Provincial Roman Circus by Antoni A. Ostrasz with Ina Kehrberg-Ostrasz. Paperback; 205x290mm; 504 pages; 261 figures (77 plates in colour). 616 2020. Available both in printed and e-versions. Printed ISBN 9781784918132. £65.00 (No VAT). Epublication ISBN 9781784918149. £16.00 (Exc. VAT) Institutional Price £65.00 (Exc. UK VAT) Book contents pageBuy Now

The Hippodrome of Gerasa: A Provincial Roman Circus publishes the unique draft manuscript by the late architect and restorer Antoni Ostrasz, the study of Roman circuses and the complex fieldwork for the restoration of the Jarash Hippodrome, a work in progress abruptly ended both in writing and in the field by his untimely death in October 1996. The manuscript is presented as it is in order to retain the authenticity of his work. It is, therefore, an unusual publication providing the researcher as well as restorer of ancient monuments with unparalleled insights of architectural studies for anastyloses. Compendia A and B have been added to supplement the incomplete segments of the manuscript with regard to his studies as well as archaeological data. This concerns the excavation and preparation for the restorations and the archaeological history or stratigraphic history of the site from the foundations to primary use as a circus to subsequent occupancies of the circus complex. The study of the architectural and archaeological remains at the hippodrome encapsulates the sequence of the urban history of the town from its early beginnings to Roman Gerasa and Byzantine and Islamic Jarash, including vestiges of the seventh century plague and still visible earthquake destructions, as well as Ottoman settlements.

About the Authors
Antoni Adam Ostrasz M.Eng PhD (Warsaw 1958, 1967) began his overseas work as research architect with the Polish Archaeological Centre in Cairo from 1961-1966 before joining expeditions to Alexandria, Palmyra and Nea Paphos. He was commissioned by the Syrian Authorities at Palmyra to prepare the restorations of several monuments, recently destroyed. He continued his architectural studies at Fustat and later joined the ‘Jarash Archaeological Project’ where he studied and restored the Umayyad House and the Church of Bishop Marianos. In 1984, the Dept of Antiquities appointed him as permanent director for the restoration project of the Hippodrome at Jarash. ;

Ina Kehrberg-Ostrasz graduated in Classical and Near Eastern Archaeology at the University of Sydney where she completed her postgraduate thesis on Cypriot ceramics. She began excavating in Jordan with the University of Sydney in 1975, followed by several international and long-term archaeological projects at Jarash and other Decapolis cities in Jordan. She became Hon. Research Fellow at the University of Sydney, and was made Hon. Lecturer at ANU/Canberra in 2019 where she offers Masterclasses in the study of ceramics and other artefacts.
Bringing Down the Iron Curtain Paradigmatic Change in Research on the Bronze Age in Central and Eastern Europe? edited by Klára Šabatová, Laura Dietrich, Oliver Dietrich, Anthony Harding and Viktória Kiss. Paperback; 205x290mm; 186 pages; illustrated throughout in colour and black & white (30 pages in colour). 610 2020. Available both in printed and e-versions. Printed ISBN 9781789694543. £32.00 (No VAT). Epublication ISBN 9781789694550. £16.00 (Exc. VAT) Institutional Price £32.00 (Exc. UK VAT) Book contents pageBuy Now

Bringing down the Iron Curtain: Paradigmatic changes in research on the Bronze Age in Central and Eastern Europe? presents the researches of scholars of different generations from twelve countries (Hungary, Romania, Czech Republic, Slovakia, Serbia, Croatia, Ukraine, United Kingdom, Germany, USA, Canada, Austria) who participated in a session of the same title at the 20th Meeting of the European Association of Archaeologists in Istanbul, 2014. The papers addressed the question of change in the approaches to Bronze Age research in the Central and Eastern European countries from different points of view. It has been a quarter of a century since the fall of communism in Central and Eastern Europe and the opening up of these areas to the West. With this process, archaeology saw a large influx of new projects and ideas. Bilateral contacts, Europe-wide circulation of scholars and access to research literature has fuelled the transformation processes. This volume is the first study which relates these issues specifically to Bronze Age Archaeology. The contributions discuss not only theoretical issues, but also current developments in all aspects of archaeological practice.

About the Editors
Klára Šabatová studied archaeology at Masaryk University, Brno, Czech Republic, and teaches prehistory there. Her research focuses on Bronze Age and landscape archaeology in Central Europe. Her interests include the processing of large quantities of pottery and settlement archaeology. She has led excavations on Neolithic and Bronze Age sites in Moravia. At present she is particularly concerned with Bronze Age chronology and burial rites.

Laura Dietrich studied prehistoric archaeology in Bucharest and Berlin. She has worked on projects from south-eastern Europe to the Levant, and since 2011 has been a Research Assistant at the German Archaeological Institute. Her research focuses on the archaeology of food and conflict.

Oliver Dietrich studied prehistoric archaeology in Berlin and works at the German Archaeological Institute. His research focus is the Neolithic and Bronze Age between south-eastern Europe and the Near East. His interests include archaeology of religion and cult, metallurgy, agents of craft in prehistory and distribution modes of prehistoric innovations.

Anthony Harding is Emeritus Professor of Archaeology at the University of Exeter, UK, and an Affiliate of the Philosophical Faculty of Charles University, Prague. He specialises in European Bronze Age archaeology and has written several books and many articles on various aspects of the Bronze Age. He has led excavations in Poland, the Czech Republic and Romania as well as Britain. In recent years he has worked extensively on the archaeology of salt exploitation.

Viktória Kiss is a senior research fellow of the Institute of Archaeology, Research Centre for the Humanities of the Hungarian Academy of Sciences. She specialises in Central European Bronze Age archaeology. She has written a book about Middle Bronze Age Encrusted Pottery in Western Hungary, and edited several other volumes concerning the Bronze Age archaeology of the region. In recent years she has worked on pottery, metal production, bioarchaeology and mobility.
Digging into the Dark Ages Early Medieval Public Archaeologies edited by Howard Williams and Pauline Magdalene Clarke. Paperback; 203x276mm; 368 pages; 162 illustrations (138 pages in colour). 108 2020. Available both in print and Open Access. Printed ISBN 9781789695274. £55.00 (No VAT). Epublication ISBN 9781789695281. Book contents pageDownload Full PDF   Buy Now

What does the ‘Dark Ages’ mean in contemporary society? Tackling public engagements through archaeological fieldwork, heritage sites and museums, fictional portrayals and art, and increasingly via a broad range of digital media, this is the first-ever dedicated collection exploring the public archaeology of the Early Middle Ages (5th–11th centuries AD).

Digging into the Dark Ages builds on debates which took place at the 3rd University of Chester Archaeology Student Conference hosted by the Grosvenor Museum, Chester, 13 December 2017. It comprises original perspectives from students integrated with fresh research by heritage practitioners and academics. The book also includes four interviews offering perspectives on key dimensions of early medieval archaeology’s public intersections. By critically ‘digging into’ the ‘Dark Ages’, this book provides an introduction to key concepts and debates, a rich range of case studies, and a solid platform for future research.

About the Editors
Professor Howard Williams is Professor of Archaeology at the University of Chester and researches mortuary archaeology, archaeology and memory, the history of archaeology and public archaeology. He regularly writes an academic blog: Archaeodeath.

Pauline Magdalene Clarke graduated with a BA (Hons) degree in Archaeology with History in 2018, and an MA Past Landscapes and Environments in 2019, both from the University of Chester. Her MA dissertation focussed on the taphonomy of plant macrofossils.
Heritage Management: The Natural and Cultural Divide edited by Heleen Van Londen, Marjo Schlaman and Andrea Travaglia. Paperback; 210x297mm; 148 pages; illustrated throughout in colour and black & white. 4 2019. Available both in print and Open Access. Printed ISBN 9781789694864. £30.00 (No VAT). Institutional Price £50.00 (No VAT). Book contents pageDownload Full PDF   Buy Now

This timely collection of peer-reviewed papers and short essays seek to bridge the longstanding gap between natural and cultural heritage when it comes to landscape management. To this end, the editors foster a combined approach to both domains by promoting stronger internal cooperation and the systematic engagement of new forms of integrated heritage with the external world.

The volume contributes to the debate on the new role of heritage in an ever-changing framework for land use, infrastructural investment and sustainable development at national and international levels. All contributions are based on the papers presented in two sessions at the EAA annual meeting in Maastricht 2017.
Offa’s Dyke Journal: Volume 1 for 2019 edited by Howard Williams and Liam Delaney. Paperback; 176x250mm; 162 pages; full colour throughout. 1 2019. Available both in print and Open Access. Printed ISBN 9781789695380. £25.00 (No VAT). Book contents pageDownload Full PDF   Buy Now

This open-access and peer-reviewed academic publication stems from the activities of the Offa’s Dyke Collaboratory, a research network founded in April 2017 to foster and support new research on the monuments and landscapes of the Anglo-Welsh borderlands and comparative studies of borderlands and frontiers from prehistory to the present. The proceedings of a series of academic and public-facing events have informed the character and direction of the Journal. Moreover, its establishment coincides with the Cadw/Historic England/Offa’s Dyke Association funded Offa’s Dyke Conservation Management Plan as well as other new community and research projects on linear earthworks. Published in print by Archaeopress in association with JAS Arqueología, and supported by the University of Chester and the Offa’s Dyke Association, the journal aims to provide a resource for scholars, students and the wider public regarding the archaeology, heritage and history of the Welsh Marches and its linear monuments. It also delivers a much-needed venue for interdisciplinary studies from other times and places.
Digging Up Jericho Past, Present and Future edited by Rachael Thyrza Sparks, Bill Finlayson, Bart Wagemakers and Josef Mario Briffa SJ. Paperback; 205x290mm; 320pp. 584 2019. Available both in printed and e-versions. Printed ISBN 9781789693515. £54.00 (No VAT). Epublication ISBN 9781789693522. £16.00 (Exc. VAT) Institutional Price £54.00 (Exc. UK VAT) Book contents pageBuy Now

Digging Up Jericho: Past Present and Future, arising from a conference exploring the heritage, archaeology and history of the Jericho Oasis, includes contributions by 21 internationally significant scholars.

This is the first volume to offer a holistic perspective on the research and public value of the site of Jericho – an iconic site with a long and impressive history stretching from the Epipalaeolithic to the present day. Once dubbed the ‘Oldest City in the World’, it has been the focus of intense archaeological activity and media interest in the 150 years since its discovery. From early investigations in the 19th century, through Kathleen Kenyon’s work at the site in the 1950s, to the recent Italian-Palestinian Expedition and Khirbat al-Mafjar Archaeological Project, Jericho and its surrounding landscape has always played a key role in our understanding of this fascinating region. Current efforts to get the site placed on the World Heritage List only enhance its appeal.

Covering all aspects of work at the site, from past to present and beyond, this volume offers a unique opportunity to re-evaluate and assess the legacy of this important site. In doing so, it helps to increase our understanding of the wider archaeology and history of the Southern Levant.

About the Editors
Rachael Thyrza Sparks is Associate Professor and Keeper of the Institute of Archaeology’s Collections at University College London.

Bill Finlayson is Professor of Prehistoric Environment and Society in the Human Origins and Palaeoenvironments Research Group at Oxford Brookes University and a Visiting Professor in the Department of Archaeology at the University of Reading.

Bart Wagemakers is a lecturer in Ancient and Religious History at the Institute Archimedes at the University of Applied Sciences, Utrecht.

Josef Mario Briffa SJ is a lecturer at the Pontifical Biblical Institute in Rome and a Roman Catholic priest.
Egypt in Croatia: Croatian Fascination with Ancient Egypt from Antiquity to Modern Times edited by Mladen Tomorad. Paperback; 205x290mm; 300pp; 369 illustrations in colour and black & white. 585 2019 Archaeopress Egyptology 24. Available both in printed and e-versions. Printed ISBN 9781789693393. £50.00 (No VAT). Epublication ISBN 9781789693409. £16.00 (Exc. VAT) Institutional Price £50.00 (Exc. UK VAT) Book contents pageBuy Now

At first sight, it seems that ancient Egyptian history and culture have no meaningful ties with present-day Croatia. However, when we scratch beneath the surface of the common idea of Egypt, that of a distant and ancient civilisation, we notice that its elements have been present in Croatia ever since antiquity. Egypt in Croatia provides a closer look at many aspects of the presence and fascination of ancient Egyptian culture in Croatia, from antiquity to the present. The topics explored are the artefacts discovered in present-day Croatia (mostly from the early 19th century), Croatian travellers to Egypt from the 16th to the middle of the 20th century, Egyptian collections in Croatia and early collectors from the 1820s until the 1950s, an overview of the development of Egyptology of study within Croatia as well as the various elements of ‘Egyptomania’ found in Croatia, mostly from the beginning of the 19th century.

About the Editor
Mladen Tomorad is a senior researcher and professor of Ancient History at the Department of History, University of Zagreb. He has a masters degree in History and a PhD in Ancient History and Museology, and he has also studied Egyptology at the University of Manchester.
Public Archaeology: Arts of Engagement edited by Howard Williams, Caroline Pudney and Afnan Ezzeldin. Paperback; 203x276mm; xiv+270 pages; 82 figures, 5 tables (101 pages in colour). 99 2019. Available both in print and Open Access. Printed ISBN 9781789693737. £58.00 (No VAT). Epublication ISBN 9781789693744. Book contents pageDownload Full PDF   Buy Now

How should communities be engaged with archaeological research and how are new projects targeting distinctive groups and deploying innovative methods and media? In particular, how are art/archaeological interactions key to public archaeology today?

This collection provides original perspectives on public archaeology’s current practices and future potentials focusing on art/archaeological media, strategies and subjects. It stems from the 2nd University of Chester Archaeology Student Conference, held on 5 April 2017 at the Grosvenor Museum, Chester: Archaeo-Engage: Engaging Communities in Archaeology.

About the Editors
Howard Williams is Professor of Archaeology at the University of Chester and researches mortuary archaeology, archaeology and memory, the history of archaeology and public archaeology. He regularly writes an academic blog: Archaeodeath.

Caroline Pudney is a Senior Lecturer in Archaeology at the University of Chester with research interests in Iron Age and Roman Britain, material culture, public archaeology and applied archaeology.

Afnan Ezzeldin graduated with a BA (Hons) Archaeology degree in 2017 from the University of Chester. Subsequently, in 2018, she completed the MA Archaeology of Death and Memory from the University of Chester, with a thesis focused on manga mortuary archaeology.
Historic Landscapes and Mental Well-being edited by Timothy Darvill, Kerry Barrass, Laura Drysdale, Vanessa Heaslip and Yvette Staelens. Paperback; xx+282 pages; 70 figures, 7 tables (75 pages in colour). 569 2019. Available both in print and Open Access. Printed ISBN 9781789692686. £40.00 (No VAT). Epublication ISBN 9781789692693. Book contents pageDownload Full PDF   Buy Now

Using archaeological sites and historic landscapes to promote mental health well-being represents one of the most significant advances in archaeological resource management for many years. Its potential contribution to health-care and wellness initiatives is boundless. Prompted by the Human Henge project working within the Stonehenge and Avebury World Heritage Site, this volume provides an overview of work going on across Britain and the near Continent at many different scales. Contributors share experiences, and discuss the outcomes, implications, and theoretical underpinnings of heritage-based well-being projects.

About the Editors
Timothy Darvill is Head of the Department of Archaeology and Anthropology at Bournemouth University and leads the research on the Human Henge project; Kerry Barrass is a researcher on the project; Laura Drysdale is the Director of the Restoration Trust and project manager of Human Henge; Vanessa Heaslip is a Principal Academic in the Department of Nursing and Social Sciences at Bournemouth University and leads the participant monitoring programme on Human Henge; and Yvette Staelens is a visiting research fellow at Bournemouth University and was the programme facilitator for Human Henge.
Living with Heritage: The Case of Tsodilo World Heritage Site and Neighbouring Localities by Stella Basinyi. Paperback; 203x276mm; 184 pages; 15 figures; 19 tables (13 pages in colour). (Print RRP £32.00). 95 2019 Cambridge Monographs in African Archaeology 99. Available both in print and Open Access. Printed ISBN 9781789693041. £32.00 (No VAT). Epublication ISBN 9781789693058. Book contents pageDownload Full PDF   Buy Now

Cultural Heritage Management in most parts of Africa has been concerned and focused on conservation and preservation of cultural and natural heritage and the development of sites for tourism and economic benefit. In this venture, the tangible heritage such as monuments and landscapes become the focus and of primary significance. Therefore, most efforts have failed to grasp the significance and relevance of cultural heritage to the local communities and the existing traditional and cultural attachment to heritage sites beyond the economic gain. Of late, operational guidelines of the WH Conventions have targeted the engagement of communities in the management of their local heritage and shaping visitor experiences. The major challenge is the implementation of these agreements and restoration of cultural pride in local communities. The communities’ interest in heritage areas has been overshadowed by the perceived idea of economic gain and the global agenda for preservation of monuments for future generation as the foremost primary benefit in heritage over cultural rights and entitlement to heritage sites, present day cultural valuation and traditional use.

In 2008 several heritage sites in Botswana were opened for tourism in addition to the Tsodilo World Heritage Site. Furthermore, in June 2014 the Okavango Delta covering a vast range of land occupied by cultural communities was also inscribed on the World Heritage List, becoming the second World Heritage Site in the country. However, insufficient research and analysis has been undertaken to understand how local communities and local cultures respond to these ventures. The study is case study based, presenting an overview of community transformation and responses to universalized heritage value and collective global view that characterize heritage status of cultural materials and the interactions of local cultures and traditions with the concepts of heritage and culture in heritage sites as globalised platforms. In this regard, it is evident through this study that the interlocutors are aware of their community boundaries and value in response to a national and global process of ‘valuation’ of the heritage site that is not theirs.

About the Author
Stella Basinyi obtained a BA (Humanities) degree in Archaeology and French Language (2006-2009) and Postgraduate Diploma in Education (2010-2011) from the University of Botswana. She pursued an MA in Culture and Environment in Africa (2011-2013) and a PhD in disciplines of Cultural Studies and social Sciences which contributes to a critical inspection of the World Heritage Program.
Objects of the Past in the Past: Investigating the Significance of Earlier Artefacts in Later Contexts edited by Matthew G. Knight, Dot Boughton and Rachel E. Wilkinson. Paperback; 203x276mm; 77 figures, 11 tables (43 pages in colour). 89 2019. Available both in print and Open Access. Printed ISBN 9781789692488. £40.00 (No VAT). Epublication ISBN 9781789692495. Book contents pageDownload Full PDF   Buy Now

How did past communities view, understand and communicate their pasts? And how can we, as archaeologists, understand this? In recent years these questions have been approached through studies of the extended occupation and use of landscapes, monuments and artefacts to explore concepts of time and memory. But what of objects that were already old in the past? Interpretations for these items have ranged from the discard of scrap to objects of veneration. Evidence from a range of periods would suggest objects of the past were an important part of many later societies that encountered them, either as heirlooms with remembered histories or rediscovered curiosities from a more distant past.

For the first time, this volume brings together a range of case studies in which objects of the past were encountered and reappropriated. It follows a conference session at the Theoretical Archaeological Group in Cardiff 2017, in which historians, archaeologists, heritage professionals and commercial archaeologists gathered to discuss this topic on a broad (pre)historical scale, highlighting similarities and contrast in depositional practices and reactions to relics of the past in different periods. Through case studies spanning the Bronze Age through to the 18th century AD, this volume presents new research demonstrating that the reappropriation of these already old objects was not anomalous, but instead represents a practice that recurs throughout (pre)history.

About the Editors
Matthew G. Knight is the curator of the Chalcolithic and Bronze Age collections at National Museums Scotland and Chair of the Later Prehistoric Finds Group. He specialises in the production, use and deposition of Bronze Age metalwork and completed his PhD on the deliberate destruction of metalwork in south-west England in 2018. He continues to be fascinated by destructive practices across Europe and is currently preparing a monograph on the subject. Matt’s MA thesis concerned out-of-time Bronze Age metalwork and he is frequently distracted by the relationship people in the past held with their own pasts and their treatment of already old material culture in the Bronze Age, or indeed any other time period.

Dot Boughton originates from Germany and is a prehistoric metalwork specialist who now works as a freelancer and translator in Cumbria. Dot did her undergraduate degree at the Freie Universität Berlin and moved to England in 1999, where she completed an MSt (2000) and MPhil (2001) in Anglo-Saxon Archaeology at the University of Oxford. In 2015 she completed her PhD dissertation on Early Iron Age socketed axes in Britain at the University of Central Lancashire. Dot was the Portable Antiquities Scheme’s Finds Liaison Officer for Lancashire and Cumbria from 2005–2017 and the Curator of Archaeology for Lancashire Museums 2017–2018. She worked for Oxford Archaeology (North) as their Finds, Archives and Environmental Officer from 2018–2019. Dot is now a freelance small finds specialist, writing metalwork reports for units and museums. She also translates historical German documents into English and vice versa.

Rachel E. Wilkinson is an archaeologist and numismatist and her AHRC-funded PhD examined the Iron Age metalwork object hoards from Britain (800 BC – AD 100), creating a national database for Iron Age object hoards which examined their contents, regional distribution and interaction with coin hoards. Previous positions during her PhD include Documentation Assistant and Project Curator: Romano-British collections at the British Museum, she currently freelances as a small finds specialist, editor and historical consultant.
The Secret Life of Memorials: Through the Memory Lens of the Australian South Sea Islanders by Julie Kaye Mitchell. Paperback; 205x290mm; 186pp; 112 figures, 24 tables (colour and black & white images throughout). (Print RRP £36.00). 508 2019. Available both in printed and e-versions. Printed ISBN 9781789690958. £36.00 (No VAT). Epublication ISBN 9781789690965. £16.00 (Exc. VAT) Institutional Price £36.00 (Exc. UK VAT) Book contents pageBuy Now

The Australian South Sea Islander (ASSI) minority community has a contested indentured labour background and involvement in the Australian sugar cane industry which has resulted in a consequent paucity of material culture and other records. This paucity, in a sense, forms a substantive part of The Secret Life of Memorials: Through the Memory Lens of the Australian South Sea Islanders as it is argued that memory places, rather than static artefactual stand-ins for the past, are dynamic material culture which have agency and relevance in the present, participating in the on-going post-colonial process. Although a material culture study focused on the materialised expression of memory, this research allows discussion beyond typologies, styles and categories to consider the relational meaning and distributed agency of these objects within the complex network of public memory. In addition to considerations of their symbolic, mnemonic or representational reflections of the past, contemporary memorials are discussed as extensions of the original ASSI event to which they refer, a part of a continuous process that is helping to shape current communities. This encompassing approach, from historical experience to present day memory enactment strategies, employs a variety of theoretical arguments, contributing a new method for comprehending and including the many interleaving aspects of memory spaces, of inte rest to heritage professionals, local councils and governing bodies, and members of the general public.

About the Author
JULIE MITCHELL achieved her doctorate in the Department of Archaeology, Flinders University, Adelaide, Australia. A fascination with the human condition and the connections between past and present that manifest in contemporary life guided her research focus on the role of material culture in the construction and maintenance of memory. Julie is also an IPinCH fellow (intellectual property in cultural heritage), focused on the otherwise intangible cultural heritage information that material culture contains. Julie is currently working on another relatively unrepresented group, children living on colonial Australian gold fields, linking modern perceptions of Australian culture and identity, and those created, adopted and passed on by these ‘golden’ children.
Bridging Science and Heritage in the Balkans Studies in Archaeometry and Cultural Heritage Restoration and Conservation edited by Nona Palincaş and Corneliu C. Ponta. Paperback; vi+156 pages; illustrated throughout in colour and black & white. 541 2019. Available both in print and Open Access. Printed ISBN 9781789691962. £34.00 (No VAT). Epublication ISBN 9781789691979. Book contents pageDownload Full PDF   Buy Now

In a period when, particularly in the West, the study of archaeological remains is enriched through new methods derived from the natural sciences and when there is general agreement on the need for more investment in the study, restoration and conservation of the tangible cultural heritage, this book presents contributions to these fields from South-Eastern Europe. This region is characterised by a contrast between the rather limited development of the above scientific methods and the particularly rich and diverse material remains of its past societies, as well as by an obvious need to bring closer together traditionally-trained archaeologists with specialists in natural sciences interested in the research and conservation of ancient material remains. The title ‘Bridging Science and Heritage in the Balkans’ intends to show that the volume is part of this effort.

The departing point of this volume is the 5th Balkan Symposium of Archaeometry (25–29 September 2016, Sinaia, Romania), where most of the papers published here were presented in preliminary form. The contributors are specialists from South-Eastern Europe as well as from other European countries working there. Some chapters focus on methods (in the research of glass, restoration of stone monuments affected by contemporary graffiti, conservation by irradiation of organic materials such as wood and human and animal body remains); most chapters present case studies (analyses of ceramics, metals, soils, wood anatomy, isotope-based reconstruction of human diet, ancient DNA, radiocarbon dating, technology assisted field survey, as well as restoration of paper and pigments); sometimes several methods are combined. The volume covers nearly all aspects of heritage sciences employed in this part of Europe.

About the Editors
NONA PALINCAŞ is senior researcher with the Vasile Pârvan Institute of Archaeology of the Romanian Academy in Bucharest. Her research interests include both social archaeology (particularly gender, body practices, power, knowledge, agency and creativity in the south-east European Bronze and Iron Ages and in contemporary archaeology) and archaeometry (primarily radiocarbon dating and analysis of archaeological ceramics). She has conducted excavations in the pre- and protohistoric settlement at Popeşti (Romania), the Late Iron Age habitation of which was identified with Argedaon/Argedava − the residence of the father of the Dacian king Burebista. In various publications she has pleaded for stronger development of archaeological theory and of archaeometry in Romania and in South-Eastern Europe in general.

CORNELIU C. PONTA, PhD, chemical engineer, has worked for more than 40 years at the Horia Hulubei National Institute for Physics and Nuclear Engineering (IFIN-HH) in Măgurele, Romania. He established, developed and led the IRASM Radiation Processing Centre – a department orientated to research and development, treatments, consulting, promotion and implementation of applications of gamma irradiation. Among these the disinfection of cultural heritage by gamma irradiation is now an accepted conservation alternative in Romania. Recently he contributed to the book Uses of Ionizing Radiation for Tangible Cultural Heritage Conservation (IAEA, Radiation Technology Series No. 6, 2017).
The Poole Iron Age Logboat edited by Jessica Berry, David Parham and Catrina Appleby. Paperback; 205x290mm; x+122 pages; 82 Figures, 10 tables (48 colour pages). 531 2019. Available both in printed and e-versions. Printed ISBN 9781789691443. £30.00 (No VAT). Epublication ISBN 9781789691450. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

The Poole Iron Age logboat, one of the largest surviving prehistoric watercraft in Britain, is today imposingly displayed in the entrance to Poole Museum in Dorset. However, the vessel faced a difficult journey from its first discovery to the amazing artefact we can now see.

Recovered from Poole Harbour in 1964, it is impossible to overestimate the international significance of this vessel. But until now it had never been fully recorded and apart from its impressive size, very little was known about it. Its dimensions made it inherently unstable and suggest it was designed for use solely in Poole Harbour.

This book is the culmination of significant multi-disciplinary work carried out by a variety of specialists, from conservators to woodworking and boatbuilding experts, exploring not only the craft’s history but also its functionality – or lack of – as a vessel. Digital recording, using the latest technology, has made it possible to test its capabilities. For the first time, prehistorians, nautical archaeologists and lay people alike can understand the story of one of Britain’s oldest boats – the archaeological and historical background, the environmental context, the timber and ship science, and the challenges of conserving such an important vessel.

About the Editors
JESSICA BERRY is an award-winning maritime archaeologist, a diver, and founder and CEO of MAST. She is a maritime archaeologist MA (Hons) MA ACIfA and a former journalist with UK broadsheets. Since completing her Masters at Flinders University in Australia, she has worked on a number of major maritime archaeological projects both in the UK and internationally whilst growing and developing MAST into an internationally respected organisation that is changing the ways in which underwater cultural heritage is perceived and how it can be better protected.

DAVID PARHAM is a Professor in Maritime Archaeology at Bournemouth University. He is an experienced archaeologist and diver / diving supervisor who has directed maritime archaeological projects that range in date from the Bronze Age to the Second World War and in scope from strategic studies to extensive field investigations. He has worked extensively throughout the British Isles as well as the Baltic, Mediterranean, Indian Ocean, South China Sea and Arabian Sea. His research interests focus on the archaeology of seafaring and ship construction of all periods but can extend into underwater cultural heritage management on occasions.

CATRINA APPLEBY has been working in archaeology for 40 years. She studied at Durham and Birmingham universities and has wide experience in many types of archaeology, from excavation and field survey to HERs and planning. She has worked for a variety of organisations in England and Scotland. She is a Fellow of the Society of Antiquaries and a Member of the Chartered Institute for Archaeologists. For the past 20 years her work has focused on editing archaeological and heritage publications, including nine years as the Publications Manager for the Council for British Archaeology, during which time CBA titles won several awards. She now works as a freelance editor for a number of publishers.
‘Our Lincolnshire’: Exploring public engagement with heritage by Carenza Lewis, Anna Scott, Anna Cruse, Raf Nicholson and Dominic Symonds. Paperback; 203x276mm; vi+270 pages; 79 figures, 50 Tables (84 plates in colour). (Print RRP £55.00). 78 2019. Available both in print and Open Access. Printed ISBN 9781789691306. £55.00 (No VAT). Epublication ISBN 9781789691313. Book contents pageDownload Full PDF   Buy Now

This monograph presents the aims, methods and outcomes of an innovative wide-ranging exploration of public attitudes to heritage, conducted in 2015-16 across Lincolnshire. England’s second-largest county extends from Yorkshire to Norfolk and hosts some of the most impressive heritage in Europe, but public interest in this has not been well understood and, particularly in rural areas, has often appeared to be muted.

Recognising the need for strategies to protect heritage and maximise its public benefit to be informed by a robust understanding of public attitudes, the University of Lincoln was funded by Arts Council England to undertake a programme of publicly engaged creative research. This volume presents the outcomes of this research which included a new comprehensive large-scale county-wide survey of public attitudes and several innovative initiatives exploring the impact of less conventional approaches to heritage engagement, including digital curation, sports club membership and theatrical performance.

As the need to improve understanding and effectiveness of public engagement with heritage extends well beyond Lincolnshire, this volume will be of interest to anyone wanting to know more about how and why people engage with the past. The data from the Lincolnshire project complement national surveys on heritage engagement and the methods used in the creative projects are relevant to the wider literature on heritage, performance, sport, rurality and cultural engagement. As policy and practice evolve, this research will remain valuable as a snapshot in time of public engagement with heritage in the second decade of the twenty-first century.

About the Authors
CARENZA LEWIS is Professor of Public Understanding of Research at the University of Lincoln and an archaeologist with research interests in rural settlement and childhood. Formerly an investigator for RHCME, presenter on Channel 4s television series Time Team and founding director of Access Cambridge Archaeology, she has published widely while leading initiatives engaging wider publics with heritage including the Higher Education Field Academy, Cambridge Community Heritage and Unearthing Middlefields Utopia. Director of Our Lincolnshire, from 2019-22 she is leading Community Archaeology in Rural Environments Meeting Societal Challenges (CARE-MSoC), a European Commission project exploring the social benefits of involving residents of rural communities in the Netherlands, Czech Republic and Poland in local archaeological excavations.

ANNA SCOTT is a heritage consultant and public historian affiliated with the Centre for Culture and Creativity at the University of Lincoln. Her research and practice explores critical heritage studies and the uses of the past. Current major projects include the Heritage Lottery Funds Pilgrim Roots project, Arts Council England-funded Illuminate and work with Mayflower 400, developed consequent to research on Pilgrims heritage in the UK and internationally.

ANNA CRUSE is studying for a PhD in History of Art at the University of Warwick. Her current research examines the influence of the ancient world upon the Florentine Renaissance, and the emergence of luxury goods markets under Duke Cosimo I de Medici. She is also a part-time filmmaker and has created a number of short promotional films for the University of Nottingham, documented at annacrusemarsh.com.

RAF NICHOLSON is a Postdoctoral Researcher at Bournemouth University. Her monograph on the history of womens cricket in Britain is due to be published by Peter Lang in 2019. She is also a freelance journalist who writes for ESPNCricinfo, Wisden and The Guardian as well as editing the womens cricket website, www.CRICKETher.com.

DOMINIC SYMONDS is Professor of Musical Theatre at the University of Li
Recommendations for best practices in data acquisition methods for natural and cultural heritage management of Moroccan coastal wetlands Recommandations pour les bonnes pratiques en matière de méthodes d’acquisition de données pour la gestion du patrimoine naturel et culturel des zones humides côtières marocaines by Athena Trakadas and Nadia Mhammdi. Paperback; 170x240mm; vi+92 pages; full colour throughout. 522 2019. Available both in printed and e-versions. Printed ISBN 9781789691504. £25.00 (No VAT). Epublication ISBN 9781789691511. £16.00 (Exc. VAT) Institutional Price £25.00 (Exc. UK VAT) Book contents pageBuy Now

As part of the CBDAMM Project (Capacity Building of Data Acquisition Methods with a view to promoting natural and cultural heritage management practices in Morocco), a set of recommendations for the processes of acquiring data in marine environments and coastal wetlands has been established for Moroccan stakeholders.

Recommendations for best practices in data acquisition methods for natural and cultural heritage management of Moroccan coastal wetlands aims to outline the functional procedures for conducting scientific coastal marine surveys in the Moroccan context. It outlines the requirements, methods, and practices of the four scientific fields that rely on shared data from such surveys: hydrography, marine geology, marine biology and toxicology, and maritime archaeology and heritage management. The content is derived from workshops, study visits, and fieldwork surveys carried out during the CBDAMM Project, utilising the specific case-study of the Oued Bouregreg, a tidal river and wetland that runs between the urban centres of Rabat and Salé, on the Atlantic coast of Morocco.

Dans le cadre du projet CBDAMM (Renforcement des capacités des méthodes d’acquisition de données en vue de promouvoir les pratiques de gestion du patrimoine naturel et culturel au Maroc), un ensemble de recommandations pour les processus d’acquisition de données dans les milieux marins et les zones humides côtières a été établi pour les parties prenantes marocaines.

Cette brochure, intitulée Recommandations pour les bonnes pratiques en matière de méthodes d’acquisition de données pour la gestion du patrimoine naturel et culturel des zones humides côtières marocaines, vise à décrire les procédures fonctionnelles pour mener des études côtières scientifiques dans le contexte marocain. Cette brochure décrit les exigences, les méthodes et les pratiques des quatre domaines scientifiques qui reposent sur des données partagées provenant de ces investigations: hydrographie, géologie marine, biologie marine et toxicologie, archéologie maritime et gestion du patrimoine. Le contenu résume les ateliers, les séjours scientifiques et les recherches sur le terrain menées au cours du projet CBDAMM, avec pour étude de cas spécifique: Oued Bouregreg, une rivière à marée semidiurne de type mésotidal et une zone humide qui s’étend entre les centres urbains de Rabat et Salé, sur la Côte Atlantique du Maroc.
Bridging the Gap in Maritime Archaeology: Working with Professional and Public Communities edited by Katy Bell. Paperback; 203x276mm; viii+148 pages; 62 figures (15 plates in colour). (Print RRP £35.00). 77 2019. Available both in print and Open Access. Printed ISBN 9781789690859. £35.00 (No VAT). Epublication ISBN 9781789690866. Book contents pageDownload Full PDF   Buy Now

Bridging the Gap in Maritime Archaeology: Working with Professional and Public Communities marks the publication of a conference session held at CIfA 2014. The session was organised by the Marine Archaeology Special Interest Group which is a voluntary group of CIfA Archaeologists which exists to promote greater understanding of marine archaeology within the wider archaeological community. The session focused on ways in which it is possible, given the obvious constraints of working in the marine environment, to engage with a wider audience in the course of maritime archaeological work. The volume presents a series of case studies exhibiting best practice with regard to individual maritime projects and examples of outreach to local communities, including the creation of accessibility to remote and hard-to-reach archaeological sites.

About the Editor
KATY BELL is an archaeologist with 15 years’ experience of British Archaeology. She is a qualified scuba diver holds an MA in Maritime Archaeology from the University of Southampton. She is currently a PhD candidate at the University of Winchester and is examining the Mesolithic to Neolithic transition on the Isle of Wight. She has recently finished working on a community project ‘Dodnor Rediscovered’ training community archaeologists and recording the buildings of the Medina Cement Mills, Isle of Wight, which sent hydraulic cement all around the country via the Medina River and the Solent.