​​ We use cookies to enhance your experience on our site. By continuing to use the site you agree to our use of cookies. Privacy & Cookies.​

 
Archaeopress logo
Archaeopress Publishing Ltd, Summertown Pavilion, 18-24 Middle Way, Summertown, Oxford OX2 7LG, England
tel +44 (0) 1865 311914 fax +44 (0) 1865 512231   email: info@archaeopress.com
Monthly AP Alert - join our mailing list today Archaeopress on Facebook Archaeopress on Twitter Archaeopress on Linked In Archaeopress Blog
Home  
|
  Browse by Subject  
|
  Browse by Series  
|
  Catalogues  
|
  Join Our Mailing List  
|
  Visit Our Blog  
|
  Login (Private Customers)  
|
  Login (Institutional Subscriptions)  
|
  View Basket

Search

title, author, ISBN, keyword

Browse for books in the following languages

ARCHAEOPRESS ARCHAEOLOGY
ACCESS ARCHAEOLOGY
ARCHAEOPRESS JOURNALS
DISTRIBUTED
PUBLISHERS
DIGITAL EDITIONS
OPEN ACCESS PLATFORM
Ordering Information
About Us
Publish With Us
Standing Orders
Trade Sales
Contact Us
Request Review Copy
NEW: Orientation of Prehistoric Monuments in Britain: A Reassessment by Alistair Marshall. Paperback; 203x276mm; 704pp; 2 printed figures, extensive online image archive. 756 2021. Available both in printed and e-versions. Printed ISBN 9781789697056. £85.00 (No VAT). Epublication ISBN 9781789697063. £16.00 (Exc. VAT) Institutional Price £85.00 (Exc. UK VAT) Book contents pageBuy Now

Orientation of Prehistoric Monuments in Britain: A Reassessment views the type of major axial alignment seen at many megalithic ritual and funerary monuments of Neolithic to Bronze Age date in Britain and Ireland, not in terms of more abstract astronomical concerns, but rather as an expression of repeated seasonal propitiation, basically solar, involving community, agrarian economy, and the ancestors in a combined attempt to mitigate variable environmental conditions. The analysis is supported by over 800 images, open-source, for unrestricted use, and available digitally.

About the Author
Alistair Marshall has a formal background in archaeology and the natural sciences, general interests in European prehistory, and is currently developing various projects including: application of remote sensing, from broader study of landscapes to detailed interpretation of ritual monuments with related experimental work; structural analysis of megalithic sites, with especial reference to interpretation of axial alignment; investigation of broader aspects of tribal economies during the later Iron Age in Britain and Northwestern Europe.
Professor Challenger and his Lost Neolithic World: The Compelling Story of Alexander Thom and British Archaeoastronomy by Euan W. MacKie†. Paperback; 203x276mm; 158 pages; 81 figures (colour throughout). 131 2021. Available both in print and Open Access. Printed ISBN 9781784918330. £30.00 (No VAT). Epublication ISBN 9781784918347. Book contents pageDownload Full PDF   Buy Now

Professor Challenger and his Lost Neolithic World combines the two great passions of the author’s life: reconstructing the Neolithic mind and constructively challenging consensus in his professional domain. The book is semi-autobiographical, charting the author’s investigation of Alexander Thom’s theories, in particular regarding the alignment of prehistoric monuments in the landscape, across a number of key Neolithic sites from Kintraw to Stonehenge and finally Orkney. It maps his own perspective of the changing reception to Thom’s ideas by the archaeological profession from initial curiosity and acceptance to increasing scepticism. The text presents historical summaries of the various strands of evidence from key Neolithic sites across the UK and Ireland with the compelling evidence from the Ness of Brodgar added as an appendix in final justification of his approach to the subject.

About the Author Euan W. MacKie (1936-2020), was a British archaeologist who graduated with a degree in Archaeology and Anthropology from St John’s College, Cambridge in 1959. He excavated at the Mayan site of Xunantunich in 1959-60 and was then employed at the British Museum Department of Ethnography before becoming Curator and Keeper of Archaeology and Anthropology at the Hunterian Museum at the University of Glasgow where he later obtained his PhD. His principal research areas were the brochs and vitrified forts of the Scottish Iron Age, and archaeoastronomy – the investigation of the astronomical knowledge of prehistoric cultures.

Reviews
'History matters, and this comprehensive volume sheds light not just on the particular period covered but on how its legacy lives on in colouring our view of archaeoastronomy today.'—Liz Henty, British Archaeology, May 2021
Environment and Religion in Ancient and Coptic Egypt: Sensing the Cosmos through the Eyes of the Divine Proceedings of the 1st Egyptological Conference of the Hellenic Institute of Egyptology, Co–Organized with the Writing & Scripts Centre of the Bibliotheca Alexandrina and the Institute of Coptic Studies (University of Alexandria), at the People’s University of Athens, under the High Auspices of His Eminence Mgr Damianos, Archbishop of Sinai. Athens: Wednesday 1st, Thursday 2nd & Friday 3rd February 2017 edited by Alicia Maravelia and Nadine Guilhou. Paperback; 210x297mm; 582 pages; highly illustrated throughout in colour. 673 2020 Archaeopress Egyptology 30. Available both in printed and e-versions. Printed ISBN 9781789696394. £90.00 (No VAT). Epublication ISBN 9781789696400 . £16.00 (Exc. VAT) Institutional Price £90.00 (Exc. UK VAT) Book contents pageBuy Now

Environment and Religion in Ancient and Coptic Egypt: Sensing the Cosmos through the Eyes of the Divine presents the proceedings of a conference held in Athens between 1st-3rd February 2017. The Hellenic Institute of Egyptology, in close collaboration with the Writing & Scripts Centre of Bibliotheca Alexandrina and the University of Alexandria, organized the conference concerning the ancient Egyptian religion, Coptic Christianity and Environment. Thus, the endeavour was to sense the Cosmos, through a virtual Einfahlung, as a manifestation of the Divine and the manifestations of the Divine in the environmental, cosmic and societal spheres. Egyptians were particularly pious and they considered their surroundings and the Universe itself as a creation and a direct immanence of the Divine, being also convinced that they were congenital parts of the Cosmos and adoring their divinities, who were also personifications of environmental and/or cosmic aspects and forces. There are many examples (epigraphic, textual, monumental, & c.) corroborating these relations and that ancient Egyptian piety was rooted on the bi-faceted texture of the ancient Egyptian religion, containing a solar and an astral component: the former was related to Rec, while the latter was related to Osiris. The conference took place with participations of a pleiade of Egyptologists, archaeologists, archaeoastronomers, theologians, historians and other scholars from more than 15 countries all over the world. In this unique volume are published most of the contributions of the delegates who sent their papers for peer-reviewing, enriching the bibliographic resources with original and interesting articles. This publication of more than 580 pages containing 34 fresh and original papers (plus 2 abstracts) on the ancient Egyptian religion, Environment and the Cosmos, fruitfully connects many interdisciplinary approaches and Egyptology, archaeology, archaeoastronomy, geography, botany, zoology, ornithology, theology and history.

About the Editors
Alicia Maravelia is Founder and President of the Hellenic Institute of Egyptology (2011). She is Professor of Egyptology at the People's University of Athens and Institute's Seminar. A member of the Editorial Board of several peer-reviewed journals, she is the Editor in Chief of the JHIE. She is Coordinator of the Athens Mummy Project. ;

Nadine Guilhou studied French Literature, History of Art & Archaeology in the University Paul-Valery, Montpellier, obtaining her PhD in Egyptology under Prof. Dr Fr. Daumas. She specializes in ritual and funerary texts from the OK to the PP and has published many books and papers concerning this topic.
What Difference Does Time Make? Papers from the Ancient and Islamic Middle East and China in Honor of the 100th Anniversary of the Midwest Branch of the American Oriental Society edited by JoAnn Scurlock and Richard H. Beal. Paperback; 176x250mm; 186pp; 10 figures. 589 2019 Archaeopress Ancient Near Eastern Archaeology 6. Available both in printed and e-versions. Printed ISBN 9781789693171. £38.00 (No VAT). Epublication ISBN 9781789693188. £16.00 (Exc. VAT) Institutional Price £38.00 (Exc. UK VAT) Book contents pageBuy Now

A wide-ranging exploration of Time as experienced and contemplated. Included are offerings on ancient Mesopotamian archaeology, literature and religion, Biblical texts and archaeology, Chinese literature and philosophy, and Islamic law. In addition, the majority of the papers specifically address issues of differences and similarities between cultures, with or without actual cultural contact.

This volume is the publication of a conference designed to commemorate the 100th anniversary of the founding of the Midwest branch of the American Oriental Society, held at St. Mary’s University in Notre Dame, Indiana, in February 2017.

About the Editors
JoAnn Scurlock, president of the Midwest Branch of the American Oriental Society, received her BA and PhD in Assyriology from the Department of Near Eastern Languages and Civilizations at the Oriental Institute of the University of Chicago. She is the author of around one hundred articles in scholarly journals on ancient medicine, magic, mythology, religion, and political history.

Richard H. Beal received his BA in the Oriental Studies department at the University of Pennsylvania and his PhD from the Department of Near Eastern Languages and Civilizations at the Oriental Institute of the University of Chicago in Hittitology. He has worked for the Chicago Hittite Dictionary Project since its inception in 1976 and is now a senior research associate.
El sol, símbolo de continuidad y permanencia: un estudio multidisciplinar sobre la figura soliforme en el arte esquemático de la Provincia de Cádiz by Mercedes Versaci. Paperback; 203x276mm; xiv+208 pages; 156 figures, 38 tables (151 colour pages); Spanish text. 89 2019. Available both in print and Open Access. Printed ISBN 9781789691948. £58.00 (No VAT). Epublication ISBN 9781789691955. Book contents pageDownload Full PDF   Buy Now

The purpose of this study is to analyze the soliform figures in schematic cave paintings. The author presents research on all the global factors relevant to the study of these figures (technological, typological, stylistic, semiotic, astronomical, anthropological and landscape) and their relationship with the whole of schematic rock paintings and the societies that produced them. The geographical scope of the study is the area of Laguna de la Janda and Campo de Gibraltar (Cadiz).

One of the arguments the author maintains in this research is the shortage of studies conducted in the territory of Cadiz in relation to these figures – and to rock art in general, which has been a central motif in almost all primitive religions or mythologies since the birth of agricultural societies. The recurrence of abstract motifs within the rock art of this area, and its durability over time, could be an indication of common cultural patterns among the different populations that inhabited the province. But these same signs are also repeated in different parts of the world – could it therefore suggest universal aspects of our species?

The interpretation of these symbols has been – and continues to be – subject to intangible or subjective issues; therefore, it is not exempt from possible projections of our own culture. We think that we are able to approach, in a scientific way, the ritual and symbolic aspects of those who elaborated these paintings. In this book, the author proposes an alternative according to the theoretical framework of disciplines such as ethnography, anthropology, landscape archaeology, archaeoastronomy and semiotics.

La finalidad de este estudio es el análisis de la figura soliforme en el arte rupestre esquemático. Presentamos una investigación global atendiendo a todos los factores susceptibles de estudio (tecnológicos, tipológicos, estilísticos, semióticos, astronómicos, antropológicos y paisajísticos) de esta figura y de su relación con el conjunto del arte rupestre esquemático y con las sociedades autoras del mismo. El ámbito geográfico de nuestro estudio será el entorno de la Laguna de la Janda y el Campo de Gibraltar (Cádiz).

Uno de los argumentos que esgrimimos para la realización de esta investigación es la escasa producción de estudios realizados en el territorio gaditano en relación a esta figura- y al arte rupestre en general- que ha sido motivo central en casi todas las religiones o mitologías primitivas desde el nacimiento de las sociedades agropecuarias. La recurrencia de los motivos abstractos dentro del arte rupestre de la zona que nos ocupa, y su perduración en el tiempo, podría ser indicio de patrones culturales comunes entre las diferentes poblaciones que habitaron nuestra provincia. Pero estos mismos signos también se repiten en diferentes partes del mundo. ¿Podríamos estar hablando de aspectos universales de nuestra especie? Somos conscientes que la interpretación de este símbolo ha estado y está sujeta a cuestiones subjetivas o intangibles, por consiguiente, no exenta de posibles proyecciones de nuestra propia cultura. Creemos que estamos en condiciones de aproximarnos de una manera científica a los aspectos rituales y simbólicos de aquellos que elaboraron estas pinturas, proponiendo una alternativa desde los marcos teóricos de disciplinas como la Etnografía, la Antropología, la Arqueología del Paisaje, la Arqueoastronomía y la Semiótica.

About the Author
MERCEDES VERSACI received her Ph.D. from the University of Cádiz in 2018 and she is an active member of the research group HUM 812: Studies in Prehistory, Archeology, Ethnoarchaeology, Anthropology and Cultural Landscape (PAEAPC) at the same institution. Her studies on the rock art of the Province of Cádiz go back to the year 2007, and she has published (in specialist magazines) several researches concerning paintings and funeral customs in recent prehistory. She has participated in vari
The Ancient Egyptian Book of the Moon: Coffin Texts Spells 154–160 by Gyula Priskin. Paperback; 175x245mm; ii+254 pages; 4 tables, 1 figure. 542 2019 Archaeopress Egyptology 22. Available both in printed and e-versions. Printed ISBN 9781789691986. £30.00 (No VAT). Epublication ISBN 9781789691993. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

The Ancient Egyptian Book of the Moon proposes that Coffin Texts spells 154–160, recorded at around the beginning of the 2nd millennium BCE, form the oldest composition about the moon in ancient Egypt and, for that matter, in the entire world. The detailed analysis of these spells, based on a new translation, reveals that they provide a chronologically ordered account of the phenomena of a lunar month. It is argued that through a wide variety of mythological allusions, the separate texts – following an introduction which explains the origins of the month (spell 154) – describe the successive stages of the monthly cycle: the period of invisibility (spell 155), waxing (spell 156), events around the full moon (spell 157), waning (spell 158), the arrival of the last crescent at the eastern horizon (spell 159), and again the conjunction of the sun and the moon when a solar eclipse occurs (spell 160). After highlighting the possible lunar connotations of each spell, further chapters in the book investigate the origins of the composition, its different manuscripts preserved on coffins coming from Hermopolis and Asyut, and the survival of the spells in the later mortuary collection known as the Book of Going Forth by Day.

About the Author
GYULA PRISKIN has an MA in English language and literature from the University of Szeged, and started working as a language teacher in the early 1990s. For fifteen years he taught English at the business college in his hometown, Békéscsaba, Hungary. In the 1990s he also became interested in ancient Egypt and has been publishing his research in various journals since 1998. Lately his main focus of enquiry has been on astral myths, especially the role and significance of the moon in ancient Egypt. In 2012 he received an MA in Egyptology from Eötvös Loránd University, Budapest, and now holds a PhD in the discipline from the same institution. Since 2016 he has been working as a teaching assistant at the Department of Ancient History, University of Szeged.
Immagini del tempo degli dei, immagini del tempo degli uomini Un’analisi delle iconografie dei mesi nei calendari figurati romani e bizantini e del loro contest storico-culturale by Ciro Parodo. viii+338 pages; illustrated throughout in black & white. Italian text with English summary. 376 2017 Archaeopress Roman Archaeology 30. Available both in printed and e-versions. Printed ISBN 9781784917340. £42.00 (No VAT). Epublication ISBN 9781784917357. £16.00 (Exc. VAT) Institutional Price £42.00 (Exc. UK VAT) Book contents pageBuy Now

A characteristic shared by the Roman and Byzantine illustrated calendars is that they represent the twelve months of the year, referable to an iconographic repertoire which is divided into three themes: the astrological-astronomical, the festive-ritual and the rural-seasonal. With regard to the first type, the months are depicted through images of the signs of the zodiac, often associated with images of the guardian deities of the months; the second category includes depictions of the months that refer to some important religious festivals; finally, the third theme includes images of the months that allude to the most important work activities performed in the countryside. The figurative calendars, which in most cases are made on mosaics, are characterized by a wide distribution in terms of time, concentrated between the 3rd and 6th century, and geography, with the areas of greatest attestation consisting of Italy, Africa Proconsularis, Greece and Arabia. With regard to the architectural context, the calendars from the West are prevalently documented in the domus, while those from the East are particularly attested in ecclesiastical buildings. The aim of research presented in this volume is the in-depth study of the connections between the meaning of the iconography of the Roman and Byzantine illustrated calendars and their historical and cultural context.

About the Author:
Ciro Parodo (1978) received a Degree and a Post-Graduate Degree in Archaeology at the University of Cagliari (Italy), and a PhD in Classical Archaeology at the Eberhard-Karls-Universität Tübingen (Germany). He focuses his research on two principal domains: the study of Greek and Roman Iconography as a means of understanding the social and cultural issues of the Classical World, and the reception of Classical Antiquity in the Modern and Contemporary Age.

Italian Description:
La caratteristica comune dei calendari figurati romani e bizantini consiste nella rappresentazione dei dodici mesi dell’anno, riferibile a un repertorio iconografico articolato in tre temi: quelli di tipo astrologico-astronomico, festivo-rituale e rurale-stagionale. Per quanto riguarda la prima tipologia, i mesi sono raffigurati mediante le immagini dei segni zodiacali, spesso associate a quelle delle divinità tutelari mensili; la seconda categoria include quelle raffigurazioni dei mesi che si riferiscono ad alcune importanti festività religiose; la terza tematica, infine, comprende quelle immagini dei mesi che alludono alle più rilevanti attività lavorative svolte in ambito campestre. I calendari figurati, realizzati nella maggioranza dei casi su mosaico, si contraddistinguono per un’ampia distribuzione in senso temporale, con una concentrazione cronologica fra il III e il VI secolo d.C., e geografico, con le aree di maggior attestazione costituite dall’Italia, l’Africa Proconsularis, la Grecia e l’Arabia. In merito invece al contesto architettonico, i calendari di provenienza occidentale sono documentati in prevalenza presso le domus, mentre per quanto concerne quelli orientali, sono attestati in particolare negli edifici ecclesiastici. L’obiettivo della ricerca presentata in questo volume si focalizza sull’approfondimento delle connessioni esistenti tra il significato dell’iconografia dei calendari figurati romani e bizantini e il loro contesto storico- culturale.

Ciro Parodo (1978) ha conseguito la Laurea e la Scuola di Specializzazione in Archeologia presso l’Università di Cagliari (Italia) e il Dottorato di Ricerca in Archeologia Classica presso l’Eberhard- Karls-Universität di Tübingen (Germania). Focalizza la sua ricerca su due ambiti principali: lo studio dell’iconografia greca e romana come strumento per analizzare le problematiche socio- culturali del mondo classico e l’indagine delle dinamiche di ricezione dell’antichità classica nell’età moderna e contemporanea.
Liber Amicorum–Speculum Siderum: Nūt Astrophoros Papers Presented to Alicia Maravelia edited by Nadine Guilhou with the help of Antigoni Maniati. xxvi+374 pages; illustrated throughout in colour and black & white. Papers in English and French. 302 2016 Archaeopress Egyptology 17. Available both in printed and e-versions. Printed ISBN 9781784915223. £56.00 (No VAT). Epublication ISBN 9781784915230. £15.83 (Exc. VAT) Institutional Price £56.00 (Exc. UK VAT) Book contents pageBuy Now

In this volume, a pleiade of Egyptologists, Archaeologists, Archaeoastronomers, Archaeoanthropologists, Historians and other scholars from fifteen countries (Hellas, Egypt, France, Russia, Ukraine, Sweden, Switzerland, Belgium, Italy, Germany, Poland, Hungary, Croatia, Turkey, Australia) have combined their efforts in order to honour Alicia Maravelia, whose important work in Egyptology and in the foundation of the Hellenic Institute of Egyptology are highly acknowledged.

This book, with foreword by His Eminence the Archbishop of Sinai and Abbot of the Holy Monastery of St Catherine, Mgr Damianos, contains thirty original articles, two abstracts and a plethora of accompanying texts including Dr Maravelia’s list of publications. The book is divided into three parts: 1. Nūt and the Realm of Stars [15 contributions]; 2. Ancient Egyptian Religion and its Celestial Undertones [12 contributions]; and 3. Ancient Egyptian Science, Medicine, Archaeoanthropology, Egyptomania, Egyptophilia, etc. [5 contributions].

The reader will find papers that deal mainly with the goddess Nūt and her mythology and cosmographic notions related to her, the stars and other celestial luminaries, orientations of monuments, ancient Egyptian constellations and decans, the notion of time, calendars, religious and funerary observances related to the sky, ancient Egyptian religion, religious and amuletic artefacts, religious mythology, as well as archaeoanthropological and medicinal studies, papers on ancient Egyptian Mathematics, Egyptophilia, Egyptomania and ancient Egyptian collections.
end of results