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Vernacular Buildings and Urban Social Practice: Wood and People in Early Modern Swedish Society by Andrine Nilsen. Paperback; 205x290mm; 336 pages; illustrated throughout. 698 2021. Available both in printed and e-versions. Printed ISBN 9781789696776. £50.00 (No VAT). Epublication ISBN 9781789696783. £16.00 (Exc. VAT) Institutional Price £50.00 (Exc. UK VAT) Book contents pageBuy Now

Wooden buildings housed the majority of Swedish urban populations during the early modern era, but many of these buildings have disappeared as the result of fire, demolition, and modernisation. They were built during periods of urban transformation; disdained for their rural look and for the fire hazard they represented they were nevertheless valued for being warm, affordable and movable. This study reveals the fundamental role played by the wooden house in the formation of urban Sweden and Swedish history. Wooden buildings were particularly suited to mass production and relocation, which helped to realise the ideal town plan in the transformation of Swedish urban space. Early modern wooden houses feature more as archaeological remains and less as preserved buildings every year, thus examination and comparison of these two distinct datasets combined with historical records is important in this study. The author establishes how log construction, timber framing and post and plank buildings were used for a wide range of functions in both central and peripheral locations, and within all strata of society. New strategies were developed to create affordable warm housing while the housing stock featured both change and continuity of layout; the storeyed house contributed to evolution of the multiple unit structure. Surprisingly, this study establishes that timber-framing was more prevalent geographically and functionally than previous research indicated.

About the Author
Andrine Nilsen has historical urban buildings archaeology as a special interest and undertook her doctoral studies at the Department of Historical Studies at the University of Gothenburg. Before this she worked in the project The early modern town - between the local and the global publishing on the subject of medieval wooden houses and early modern town plans.
‘For My Descendants and Myself, a Nice and Pleasant Abode’ – Agency, Micro-history and Built Environment Buildings in Society International BISI III, Stockholm 2017 edited by Göran Tagesson, Per Cornell, Mark Gardiner, Liz Thomas and Katherine Weikert. Paperback; 205x290mm; 190 pages; illustrated throughout in colour and black & white. 693 2020. Available both in printed and e-versions. Printed ISBN 9781789695816. £35.00 (No VAT). Epublication ISBN 9781789695823. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

Agency, Micro-History and Built Environment examines how people have been making, using and transforming buildings and built environments in general, and how the buildings have been perceived. It also considers a diversity of built constructions – including dwellings and public buildings, sheds and manor houses, secular and sacral structures. Comparisons between different regions and parts of the globe, important when addressing buildings from a social perspective, are presented with studies from the UK, the Netherlands, Norway, Sweden, Germany and Mexico. The chronological framework spans from the classical Byzantine period, over the Middle Ages and the Early Modern period and ends in 20th century Belfast.

About the Editors
Göran Tagesson is Associate Professor in Historical Archaeology at Lund University and Project Leader at The Archaeologists, The National Historical Museums, Sweden. ;

Per Cornell is Professor in Archaeology at the University of Gothenburg. ;

Mark Gardiner is Associate Professor of Archaeology at the University of Lincoln. ;

Liz Thomas is a Research Fellow in The Beam and is also an Affiliate Researcher at the Institute for Cultural Practices, University of Manchester. ;

Katherine Weikert is a Senior Lecturer in Early Medieval History at the University of Winchester.
New Frontiers in Archaeology: Proceedings of the Cambridge Annual Student Archaeology Conference 2019 edited by Kyra Kaercher, Monique Arntz, Nancy Bomentre, Xosé L. Hermoso-Buxán, Kevin Kay, Sabrina Ki, Ruairidh Macleod, Helena Muñoz-Mojado, Lucy Timbrell and Izzy Wisher. Paperback; 203x276mm; 308 pages; illustrated throughout (83 pages of colour). Print RRP: £48.00. 127 2020. Available both in print and Open Access. Printed ISBN 9781789697940. £48.00 (No VAT). Epublication ISBN 9781789697957. Book contents pageDownload Full PDF   Buy Now

This volume is the result of the Cambridge Annual Student Archaeology Conference (CASA), held at the McDonald Institute for Archaeological Research from September 13–15, 2019. CASA developed out of the Annual Student Archaeology Conference, first held in 2013, which was formed by students at Cambridge, Oxford, Durham and York. In 2017, Cambridge became the home of the conference and the name was changed accordingly. The conference was developed to give students (from undergraduate to PhD candidates) in archaeology and related fields the chance to present their research to a broad audience.

The theme for the 2019 conference was New Frontiers in Archaeology and this volume presents papers from a wide range of topics such as new geographical areas of research, using museum collections and legacy data, new ways to teach archaeology and new scientific or theoretic paradigms. From hunting and gathering in the Neolithic to the return of artefacts to Turkey, the papers contained within show a great variety in both geography and chronology. Discussions revolve around access to data, the role of excavation in today’s archaeology, the role of local communities in archaeological interpretation and how we can ask new questions of old data. This volume presents 18 papers arranged in the six sessions with the two posters in their thematic sessions.
Places of Memory: Spatialised Practices of Remembrance from Prehistory to Today edited by Christian Horn, Gustav Wollentz, Gianpiero Di Maida, and Annette Haug. Paperback; 205x290mm; 164 pages; 56 figures, colour throughout. 674 2020. Available both in printed and e-versions. Printed ISBN 9781789696134. £30.00 (No VAT). Epublication ISBN 9781789696141. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

Places of Memory takes a new look at spatialised practices of remembrance and its role in reshaping societies from prehistory to today, gathering researchers representing diverse but complementary fields of expertise. This diachronic outlook provides important insights into the great variety of human and social reactions examining memory, encompassing aspects of remembering, the loss of memory, reclaiming memories, and remembering things that may not have happened. The contributions to this volume expand upon Pierre Nora’s concept of lieux des memoire (places of memory) and the notion that memory is not just stored in these places but activated through human engagement. The volume presents a reflection on the creation of memories through the organisation and use of landscapes and spaces that explicitly considers the multiplicity of meanings of the past. Thus, social identities were created, reaffirmed, strengthened, and transformed through the founding, change, and reorganization of places and spaces of memory in the cultural landscape.

About the Editors
Christian Horn is a researcher and lecturer at the Department for Historical Studies at the University of Gothenburg. His scholarship focuses on Scandinavian rock art and prehistoric conflict. He is the current research coordinator of the Swedish Rock Art Research Archives as well as an advisory board member. Currently, he develops Artificial Intelligence approaches to rock art in a project funded by Riksbankens Jubileumsfond (Sweden). This project includes conducting fieldwork at UNESCO world heritage site Tanum documenting rock art in 3D. He is a prolific writer in the fields of prehistoric conflict, rock art, and digital archaeology. ;

Gustav Wollentz defended his PhD in the summer of 2018 at the Graduate School Human Development in Landscapes, Kiel University, Germany, focusing on the relationship between difficult heritage and temporalities. He received his Bachelor and Master degree in Archaeology from Linnaeus University in Sweden. He was previously (2012-2013) involved in a research project led by Cornelius Holtorf and Anders Högberg at Linnaeus University, where he studied future perspectives within heritage management. During a period in 2018 and 2019, he was hired within the AHRC-funded ‘Heritage Futures’ project to co-author a chapter on ‘Toxic heritage’. He is currently project leader/researcher at the Nordic Centre of Heritage Learning and Creativity. ;

Gianpiero Di Maida, born in Palermo (Italy) in 1980, has completed his Ph.D. at CAU Kiel in 2018, defending a thesis on the Lateglacial rock and mobile art record of Sicily, Italy. This work, recently published, has been awarded with the Johanna Mestorf Price 2019. He is currently serving as the scientific manager of the DISAPALE project at the Neanderthal Museum. ;

Annette Haug is professor for Classical Archaeology at the Christian-Albrechts-University Kiel. Her research interests concern visual culture studies on the one hand, questions of urban lifestyles and urban design on the other. After her habilitation in 2009 in Leipzig, Haug became Heisenberg fellow at the University in Munich (LMU). After receiving the professorship in Kiel in 2012 she became the co-coordinator of the graduate school ‘Human Development in Landscapes’. She has received an ERC Consolidator Grant for research into Decorative Systems in Pompeii and Herculaneum.
Barbaric Splendour: The Use of Image Before and After Rome edited by Toby F. Martin with Wendy Morrison. Paperback; 203x276mm; 152 pages; 38 figures (30 colour pages). 119 2020. Available both in print and Open Access. Printed ISBN 9781789696592. £35.00 (No VAT). Epublication ISBN 9781789696608. Book contents pageDownload Full PDF   Buy Now

Barbaric Splendour: the use of image before and after Rome comprises a collection of essays comparing late Iron Age and Early Medieval art. Though this is an unconventional approach, there are obvious grounds for comparison. Images from both periods revel in complex compositions in which it is hard to distinguish figural elements from geometric patterns. Moreover, in both periods, images rarely stood alone and for their own sake. Instead, they decorated other forms of material culture, particularly items of personal adornment and weaponry. The key comparison, however, is the relationship of these images to those of Rome. Fundamentally, the book asks what making images meant on the fringe of an expanding or contracting empire, particularly as the art from both periods drew heavily from – but radically transformed – imperial imagery.

About the Editors
Toby Martin currently works as a lecturer at Oxford University’s Department for Continuing Education, where he specialises in adult and online education. His research concentrates on theoretical and interpretative aspects of material culture in Early Medieval Europe. Toby has also worked as a field archaeologist and project officer in the commercial archaeological sector and continues to work as a small finds specialist.

Wendy Morrison currently works for the Chilterns Conservation Board managing the NLHF funded Beacons of the Past Hillforts project, the UK’s largest high-res archaeological LiDAR survey. She also is Senior Associate Tutor for Archaeology at the Oxford University Department for Continuing Education. Wendy’s research areas are Prehistoric European Archaeology and Landscape Archaeology. She has over a decade’s excavation experience in Southern Britain, the Channel Islands, and India.
Digging into the Dark Ages Early Medieval Public Archaeologies edited by Howard Williams and Pauline Magdalene Clarke. Paperback; 203x276mm; 368 pages; 162 illustrations (138 pages in colour). 108 2020. Available both in print and Open Access. Printed ISBN 9781789695274. £55.00 (No VAT). Epublication ISBN 9781789695281. Book contents pageDownload Full PDF   Buy Now

What does the ‘Dark Ages’ mean in contemporary society? Tackling public engagements through archaeological fieldwork, heritage sites and museums, fictional portrayals and art, and increasingly via a broad range of digital media, this is the first-ever dedicated collection exploring the public archaeology of the Early Middle Ages (5th–11th centuries AD).

Digging into the Dark Ages builds on debates which took place at the 3rd University of Chester Archaeology Student Conference hosted by the Grosvenor Museum, Chester, 13 December 2017. It comprises original perspectives from students integrated with fresh research by heritage practitioners and academics. The book also includes four interviews offering perspectives on key dimensions of early medieval archaeology’s public intersections. By critically ‘digging into’ the ‘Dark Ages’, this book provides an introduction to key concepts and debates, a rich range of case studies, and a solid platform for future research.

About the Editors
Professor Howard Williams is Professor of Archaeology at the University of Chester and researches mortuary archaeology, archaeology and memory, the history of archaeology and public archaeology. He regularly writes an academic blog: Archaeodeath.

Pauline Magdalene Clarke graduated with a BA (Hons) degree in Archaeology with History in 2018, and an MA Past Landscapes and Environments in 2019, both from the University of Chester. Her MA dissertation focussed on the taphonomy of plant macrofossils.
Iron Age Slaving and Enslavement in Northwest Europe by Karim Mata. Paperback; 203x276mm; vi+58 pages; 13 figures. 104 2019. Available both in print and Open Access. Printed ISBN 9781789694185. £22.00 (No VAT). Epublication ISBN 9781789694192. Book contents pageDownload Full PDF   Buy Now

Archaeologists have yet to consider seriously the impact of slaving and enslavement on socio-cultural developments in Iron Age Europe. Commonly treated as a mere byproduct of incessant tribal warfare, it is generally held that slavery was not a significant phenomenon in temperate Europe before the Roman era. This is a curious state of affairs considering the clear cross-paradigmatic recognition of competition and conflict as prime movers of historical transformation. How is it that prehistorians see evidence for social stratification and inter-group conflict in so many contexts, yet grant slavery so little attention?

If slaving and enslavement can be shown to have been significant transformative phenomena in Iron Age Europe, how would this affect the interpretation of (old and new) archaeological evidence, and how would this change ideas about broader socio-cultural developments that have long been considered known by those who have looked at these things through the lens of ‘acculturation’ or ‘complexification’?

Comparative research shows how slavery is a multifaceted phenomenon with complex interrelated material, behavioral, and ideological dimensions. Therefore, any meaningful archaeological study has to take a multi-thread approach whereby a wide range of material categories and domains of social practice are examined, contextually, relationally, and comparatively. In taking such an approach, this exploratory study of the dynamics of Iron Age slaving and enslaving in Northwest Europe contributes to a complex but neglected topic.

About the Author
Karim Mata is a scholar-in-residence at the University of Virginia. He attended the Vrije Universiteit Amsterdam (MA) and the University of Chicago (MA, PhD), where he studied the history, archaeology, and anthropology of Northwest Europe and the Mediterranean world. He has developed an interdisciplinary interest for theorizing cultural entanglement, social transformation, motivational worldviews, and ideological discourse. This has shaped his doctoral research on the archaeology of values and social transformation in Iron Age and Roman-period Northwest Europe, as well as subsequent research on transcultural discourse, slavery, and cultural theory.
Egil’s Saga: Traditional evidence for Brúnanburh compared to Literary, Historic and Archaeological Analyses by John R. Kirby. Paperback; 203x276mm; 58 pages; 12 figures (9 in colour). (Print RRP £22.00). 74 2019. Available both in print and Open Access. Printed ISBN 9781789691092. £22.00 (No VAT). Epublication ISBN 9781789691108. Book contents pageDownload Full PDF   Buy Now

Regarded as the secondary source advocated by some scholars for this battle around Brúnanburh in AD 937, Egil’s Saga Skalla-Grímssonar (collated c. AD 1242-3) becomes problematical when compared with literary, historic and archaeological evidence. Thus, this argument places the saga in a rather awkward position.

In addressing the general veracity of this saga, allegedly ‘written’ by Snorri Sturluson in 1240/1 we must draw a comparison to distinguish reality from fiction. For this article highlights not only the questionable traditions of Egil fighting at Brúnanburh but whether Snorri’s interpretation was motivated by self-interest. More importantly, could other people have gathered together Snorri’s notes and produced Egil’s Saga? Doubts arise as to its authenticity as many scholars have previously expressed the differing literary anomalies within the narrative. Was the saga written by more than one person? Was it embellished by Snorri or others? Where did the Brúnanburh traditions come from? Is it accurate enough to be used as a historic source – a factual reference? The author suggests this approach may identify the incongruities within this saga demonstrating a correct analysis.
Bronze Age Metalwork: Techniques and traditions in the Nordic Bronze Age 1500-1100 BC by Heide W. Nørgaard. Paperback; 205x290mm; xii+502 pages; 290 figures (244 plates in colour). 474 2018. Available both in print and Open Access. Printed ISBN 9781789690194. £85.00 (No VAT). Epublication ISBN 9781789690200. Book contents pageDownload Full PDF   Buy Now

Bronze ornaments of the Nordic Bronze Age (neck collars, belt plates, pins and tutuli) were elaborate objects that served as status symbols to communicate social hierarchy. The magnificent metalwork studied here dates from 1500-1100 BC. An interdisciplinary investigation of the artefacts was adopted to elucidate their manufacture and origin, resulting in new insights into metal craft in northern Europe during the Bronze Age. Based on the habitus concept, which situates the craftsmen within their social and technological framework, individual artefact characteristics and metalworking techniques can be used to identify different craft practices, even to identify individual craftsmen. The conclusions drawn from this offer new insights into the complex organisation of metalcraft in the production of prestige goods across different workshops. Several kinship-based workshops on Jutland, in the Lüneburg Heath and Mecklenburg, allow us to conclude that the bronze objects were a display of social status and hierarchy controlled by, and produced for, the elite – as is also seen in the workshops on Zealand. Within the two main metalworking regions, Zealand and central Lower Saxony, workshops can be defined as communities of practice that existed with an extended market and relations with the local elite. Attached craft, in the sense that the craftspeople fully depended on a governing institution and produced artefacts as a manifestation of political expression, was only detected on Zealand between 1500-1300 BC.

The investigation presented here showed that overall results could not be achieved when concentrating only on one aspect of metalwork. Highly skilled craft is to be found in every kind of workshop, as well as an intensive labour input. Only when considering skill in relation to labour input and also taking into account signs of apprenticeship and cross-craft techniques, as well as the different categories of mistakes in crafting, can a stable image of craft organisation be created.

About the Author
HEIDE W. NØRGAARD is a postdoctoral researcher at the Department of Archaeology and Heritage Studies at the University of Aarhus, Denmark, where she graduated and received her PhD in 2014. With the background as an educated goldsmith, she is working with metal artefacts trying to solve craft technical problems from the Bronze to the early Iron Ages in Northern Europe. Heide W. Nørgaard is currently working on reconstructing the earliest metal trading routes towards Scandinavia, based on over 500 lead isotope analysis of the first half of the 2nd millennium BC.
New Approaches to Disease, Disability and Medicine in Medieval Europe edited by Erin Connelly and Stefanie Künzel. Paperback; 175x245mm; ii+152 pages; 2 figures, 1 table (2 plates in colour). 441 2018. Available both in printed and e-versions. Printed ISBN 9781784918835. £29.00 (No VAT). Epublication ISBN 9781784918842. £16.00 (Exc. VAT) Institutional Price £29.00 (Exc. UK VAT) Book contents pageBuy Now

The majority of papers in this volume were originally presented at the eighth annual ‘Disease, Disability, and Medicine in Medieval Europe’ conference. The conference focused on infections, chronic illness, and the impact of infectious diseases on medieval society, including infection as a disability in the case of visible conditions, such as infected wounds, leprosy, syphilis, and tuberculosis. Using an interdisciplinary approach, this conference emphasised the importance of collaborative projects, novel avenues of research for treating infectious disease, and the value of considering medieval questions from the perspective of multiple disciplines. This volume aims to carry forward this interdisciplinary synergy by bringing together contributors from a variety of disciplines and from a diverse range of international institutions. Of note is the academic stage of the contributors in this volume. All the contributors were PhD candidates at the time of the conference, and the majority have completed or are in the final stages of completing their programmes at the time of this publication. The originality and calibre of research presented by these early career researchers demonstrates the promising future of the field, as well as the continued relevance of medieval studies for a wide range of disciplines and topics. Contributions by Stefanie Künzel, Marit Ronen, Cathrin Hähn, Rachel Welsh, Ninon Dubourg, Clara Jáuregui, Lucy Barnhouse, Cecilia Collins, Erin Connelly, and Christoph Wieselhuber.

About the Editors
ERIN CONNELLY is the CLIR Postdoctoral Fellow for Data Curation in Medieval Studies in the Schoenberg Institute for Manuscript Studies, University of Pennsylvania Libraries. She holds a PhD in English from the University of Nottingham with a special interest in medieval medical texts and the relevance of medieval medicine for modern infections (‘ancientbiotics’). Her doctoral project was the first edition of the 15th-century Middle English translation of Bernard of Gordon's Lilium medicinae, the Lylye of Medicynes (Bodleian Library MS Ashmole 1505). She collaborates on a wide range of interdisciplinary projects, including a ‘big data’ approach to analysing medieval medical texts and using multispectral imaging to categorise stains in medieval manuscripts.

STEFANIE KÜNZEL has recently finished her doctorate at the University of Nottingham. Her thesis explores concepts of disease in Anglo-Saxon literature and culture, focusing on metaphors pertaining primarily to the fields of infection and epidemics. She obtained her BA from the University of Bamberg in 2011 and subsequently completed an MA in Anglo-Saxon and Viking Studies at the University of Nottingham.
Giving the Past a Future: Essays in Archaeology and Rock Art Studies in Honour of Dr. Phil. h.c. Gerhard Milstreu edited by James Dodd and Ellen Meijer. Paperback; 203x276mm; iv+300 pages; illustrated throughout in colour and black & white (96 plates in colour). 61 2018. Available both in print and Open Access. Printed ISBN 9781784919702. £45.00 (No VAT). Epublication ISBN 9781784919719. Book contents pageDownload Full PDF   Buy Now

This volume celebrates the work of Dr. Phil. h.c. Gerhard Milstreu in his 40th year as director of Tanum Museum of Rock Carving and Rock Art Research Centre, Underslös, Sweden. Here, a feast of scholarly contributions from across Europe, at all levels of study have been collected. Each and every one of the chapters addresses aspects connected to the work Gerhard has done over the last 40 years. Through their words and images, these pay respect to and acknowledge Gerhard’s achievements in the fields of rock art documentation, research, international collaboration and outreach. Gerhard has striven from the outset to: promote the importance of the image within archaeology, increase public interest and involvement with prehistoric art, and to encourage the next generation to continue the work. Thus, many authors think very deeply about the images, how we interpret them and how we record them, particularly in light of recent advances in technology. Others explore how Gerhard has fostered dissemination and public involvement. The range of countries and subjects represented; France, Italy, Holland, Norway, Sweden, Denmark and the UK; reflects the success of Gerhard’s focus on international collaboration and dialogue. Given Gerhard’s emphasis on giving the past a future, it is appropriate that leading up and coming scholars, from all levels of higher education, are also present and have the opportunity to present their latest research.

About the Editors
JAMES DODD is currently a PhD scholar at the Department of Archaeology and Heritage Studies, Aarhus University, Denmark. Originally educated at Durham University, James is a specialist in the study, analysis and documentation of the prehistoric rock art of Scandinavia. During the past few years, he has worked extensively in the field, becoming versed in the archaeology of the areas with various museums and institutions in the Scandinavian countries, in particular Bornholms Museum, Denmark. His current PhD project investigates the extent of homogeneity or diversity within Southern Tradition rock art. In addition to high-level statistical analyses and GIS, James is undertaking the largest programme of surface-based rock art documentation ever conducted in Denmark, on the island of Bornholm. Advances in technology are brought into the field with processing of image-based models occurring on site using remote access to cluster processing on the Danish e-Infrastructure Collaboration’s High Performance Computer: Abacus 2.0.

ELLEN MEIJER has been working with the documentation of rock carvings for the past 22 years. She has learned the ins and outs of documentation at Tanums Hällristningsmuseum Underslös. Since 2011, she has worked for projects on rock art documentation at the Swedish Rock Art Research Archives and the University of Gothenburg, as a research assistant, as well as a field supervisor teaching courses in rock art documentation organized by University of Gothenburg in collaboration with Swedish Rock Art Research Archives and The Scandinavian Society for Prehistoric Art. She has been jointly responsible for the development and implementation of digital documentation of rock art through Structure from Motion and optical laser scanning within the Tanum World Heritage Area and published in Adoranten, the peer reviewed Rock Art Magazine of The Scandinavian Society for Prehistoric Art.

Both James and Ellen are members of the Board of The Scandinavian Society for Prehistoric Art.
Gifts, Goods and Money: Comparing currency and circulation systems in past societies edited by Dirk Brandherm, Elon Heymans and Daniela Hofmann. vi+228 pages; 73 figures (30 colour plates). 416 2018. Available both in print and Open Access. Printed ISBN 9781784918354. £34.00 (No VAT). Epublication ISBN 9781784918361. Book contents pageDownload Full PDF   Buy Now

The papers gathered in this volume explore the economic and social roles of exchange systems in past societies from a variety of different perspectives. Based on a broad range of individual case studies, the authors tackle problems surrounding the identification of (pre-monetary) currencies in the archaeological record. These concern the part played by weight measurement systems in their development, the changing role of objects as they shift between different spheres of exchange, e.g. from gifts to commodities, as well as wider issues regarding the role of exchange networks as agents of social and economic change. Among the specific questions the papers address is what happens when new objects of value are introduced into a system, or when existing objects go out of use, as well as how exchange systems react to events such as crises or the emergence of new polities and social constellations. One theme that unites most of the papers is the tension between what is introduced from the outside and changes that are driven by social transformations within a given group.

About the Editors
DIRK BRANDHERM studied Archaeology, Classics and Social Anthropology at the universities of Münster, Edinburgh and Freiburg. Most of his work has been in European Bronze and Iron Age archaeology, with one focus on metalwork production and depositional practices. He currently holds a position of Lecturer at Queen’s University Belfast, Northern Ireland.

ELON HEYMANS studied archaeology at the University of Amsterdam and at Tel Aviv University. He completed his PhD in Tel Aviv on the early history of money in the eastern Mediterranean Iron Age, and is currently a postdoctoral researcher at Utrecht University. His focus lies on the archaeology of Greece and the southern Levant, and he is particularly interested in the social, political and historical context of early money use.

DANIELA HOFMANN has obtained her PhD from Cardiff University and is currently Junior Professor at Hamburg University, Germany. She has published extensively on funerary archaeology, as well as the figurines and domestic architecture of the central European Neolithic, but she is also interested in instances of structured deposition and in spheres of exchange.
Manx Crosses: A Handbook of Stone Sculpture 500-1040 in the Isle of Man by David M. Wilson. Paperback; iv+182 pages; illustrated throughout in colour and black & white. 388 2018. Available both in printed and e-versions. Printed ISBN 9781784917562. £24.99 (No VAT). Epublication ISBN 9781784917586. £16.00 (Exc. VAT) Institutional Price £24.99 (Exc. UK VAT) Book contents pageBuy Now

The carved stone crosses of the Isle of Man of the late fifth to mid-eleventh century are of national and international importance. They provide the most coherent source for the early history of Christianity in the Island, and for the arrival and conversion of Scandinavian settlers in the last century of the Viking Age – a century which produced some of the earliest recognisable images of the heroes and gods of the North; earlier, indeed, than those found in Scandinavia. This, the first general survey of the material for more than a century, provides a new view of the political and religious connections of the Isle of Man in a period of great turmoil in the Irish Sea region. The book also includes an up-to-date annotated inventory of the monuments.

About the Author:
David M. Wilson, Director of the British Museum from 1977-1992, is a leading authority on the Viking Age and has written a number of studies of the art and archaeology of the Anglo-Saxon period and the Viking Age in their Northern European context. He is a Fellow of the British Academy and lives in the Island.

Reviews
‘In his book, David Wilson discusses the emergence, zenith, and decline of Manx crosses in six stimulating chapters, supported by a comprehensive list of sites and that all-important index. He clearly shows that major influences were brought to bear over the 600-year period, initially by early Christian missionaries, followed by Picts, and finally Vikings. His book is the first comprehensive survey to be undertaken for over a century, and provides invaluable context to their origins and use at a time when, politically, the Irish Sea (province) was experiencing great upheaval. This is a must-read for scholars interested in the religious iconography of the early medieval period.’ – George Nash (Current Archaeology, Issue 339, June 2018)

‘We have needed this book: an authoritative and holistic introduction to the Isle of Man’s early medieval sculpture. From the book’s Preface we get a good sense of just how hard-won its contents have been for the ‘retired’, eminent Viking scholar Sir David Wilson, who long ago made the Isle of Man his home… Throughout, Wilson draws effectively on his extensive knowledge of the early medieval, particularly Scandinavian world, to situate the Manx story, as revealed through its sculpture, in its Irish Sea and wider European context.’ – Sally Foster (2019): Archaeological Journal, DOI: 10.1080/00665983.2019.1590955

Considering Creativity: Creativity, Knowledge and Practice in Bronze Age Europe edited by Joanna Sofaer. x+164 pages; illustrated throughout in colour and black & white (33 colour plates). 387 2017. Available both in printed and e-versions. Printed ISBN 9781784917548. £33.00 (No VAT). Epublication ISBN 9781784917555. £16.00 (Exc. VAT) Institutional Price £33.00 (Exc. UK VAT) Book contents pageBuy Now

Creativity is embedded in human history. Indeed, it is impossible to understand material change and the development of the new without invoking creativity. The location, exploration and analysis of creativity should therefore be of particular concern to archaeologists. This volume engages with this challenge by focusing on the outcomes of creativity – material culture – and an exploration of creative practice. The European Bronze Age provides a useful focus for discussions of the outcomes of creativity because in this period we see the development of new and pre-existing materials that we take for granted today, in particular textiles and bronze. We also see new ways of working with existing materials, such as clay, to create novel forms. In both new and existing materials it is frequently possible to see the growth of technical skill, to produce complex forms and elaborate decorated surfaces.

The papers in this volume view Bronze Age objects through the lens of creativity in order to offer fresh insights into the interaction between people and the world, as well as the individual and cultural processes that lie behind creative expression. Many have their origin in the international conference Creativity: An Exploration Through the Bronze Age and Contemporary Responses to the Bronze Age held at Magdalene College, University of Cambridge in 2103 as part of the HERA-funded project Creativity and Craft Production in Middle and Late Bronze Age Europe. Contributions span the early to late Bronze Age, deal with a range of materials including textiles, metal, and ceramics, and reflect on data from across the continent including Iberia, Scandinavia, Central and Eastern Europe. This breadth illustrates the wideranging importance and applicability of creativity as an heuristic concept. The volume further develops a range of theoretical and methodological directions, opening up new avenues for the study of creativity in the past.
Foreigners and Outside Influences in Medieval Norway edited by Stian Suppersberger Hamre. ii+124 pages; illustrated throughout (14 plates in colour). 368 2017. Available both in print and Open Access. Printed ISBN 9781784917050. £24.00 (No VAT). Epublication ISBN 9781784917067. Book contents pageDownload Full PDF   Buy Now

Foreigners and Outside Influences in Medieval Norway results from an international conference held in Bergen, Norway, in March 2016, entitled ‘Multidisciplinary approaches to improving our understanding of immigration and mobility in pre-modern Scandinavia (1000-1900)’. The articles in this volume discuss different aspects of immigration and foreign influences in medieval Norway, from the viewpoint of different academic disciplines. The book will give the reader an insight into how the population of medieval Norway interacted with the surrounding world, how and by whom it was influenced, and how the population was composed.

About the Editor
Dr Stian Suppersberger Hamre is a biological anthropologist with a BA in palaeoanthropology from the University of New England, Australia, and an MSc in forensic anthropology from Bournemouth University, England. His PhD research at the Centre for Medieval Studies, University of Bergen, Norway, has focussed on different aspects of the medieval population in Norway. From 2013, his main interest has been to improve our understanding of pre-modern immigration, mobility and population composition in Norway, with a special emphasis on bringing different disciplines together to illuminate these topics and to complement his own research as a biological anthropologist.
Working with the Past: Towards an Archaeology of Recycling edited by Dragoş Gheorghiu and Phil Mason. viii+134 pages; illustrated throughout with 21 plates in colour. 346 2017. Available both in printed and e-versions. Printed ISBN 9781784916299. £25.00 (No VAT). Epublication ISBN 9781784916305. £16.00 (Exc. VAT) Institutional Price £25.00 (Exc. UK VAT) Book contents pageBuy Now

Recycling is a basic anthropological process of humankind. The reutilization of materials or of ideas from the Past is a process determined by various natural or cultural causes. Recycling can be motivated by a crisis or by a complex symbolic cause like the incorporation of the Past into the Present.

What archaeology has not insisted upon is the dimensional scale of the process, which operates from the micro-scale of the recycling of the ancestors’ material, up to the macro-scale of the landscape.

It is well known that there are direct relations between artefacts and landscapes in what concerns the materiality and mobility of objects. An additional relation between artefact and landscape may be the process of recycling. In many ways artefact and landscape can be considered as one aspect of material culture, perceived at a different scale, since both have the same materiality and suffer the same process of reutilisation.

This book invites archaeologists to approach the significant process of recycling within the archaeological record at two different levels: of artefacts and of landscape.
New Perspectives on the Bronze Age Proceedings of the 13th Nordic Bronze Age Symposium held in Gothenburg 9th to 13th June 2015 edited by Sophie Bergerbrant and Anna Wessman. x+450 pages; illustrated throughout in black & white with 61 colour plates. 334 2017. Available both in printed and e-versions. Printed ISBN 9781784915988. £60.00 (No VAT). Epublication ISBN 9781784915995. £16.00 (Exc. VAT) Institutional Price £60.00 (Exc. UK VAT) Book contents pageBuy Now

The Nordic Bronze Age Symposium began modestly in 1977 with 13 participants, and has now expanded to over 120 participants: a tenfold increase that reflects the expanding role of Bronze Age research in Scandinavia, not least amongst younger researchers. From having taken a back seat in the 1970s, it is now in the driver’s seat in terms of expanding research themes, publications and international impact.

This collection of articles helps to explain why the Bronze Age has come to hold such a fascination within modern archaeological research. By providing new theoretical and analytical perspectives on the evidence new interpretative avenues have opened, it situates the history of the Bronze Age in both a local and a global setting.

About the Editors:
Sophie Bergerbrant completed her doctoral thesis in archaeology in 2007 at the University of Stockholm. She currently leads the research project Bronze Age wool economy: production, trade, environment, husbandry and society at the department of historical studies, University of Gothenburg.

Anna Wessman is currently a PhD candidate at the department of historical studies, University of Gothenburg. Her PhD project focuses on south Scandinavian rock art, with a special focus on regional features and styles in relation to time and change.

Amphorae from the Kops Plateau (Nijmegen) Trade and supply to the Lower-Rhineland from the Augustan period to AD 69/70 edited by C. Carreras and J. van den Berg. x+404 pages; illustrated throughout in colour and black & white. 314 2017 Archaeopress Roman Archaeology 20. Available both in printed and e-versions. Printed ISBN 9781784915421. £65.00 (No VAT). Epublication ISBN 9781784915438. £16.00 (Exc. VAT) Institutional Price £65.00 (Exc. UK VAT) Book contents pageBuy Now

In the year 19 BC, Roman legions arrived in Nijmegen with the aim of conquering the Rhenish territories from the local populations. In addition to the legionaries themselves, the Roman army required a regular provision of staple supplies in order to keep such a war machine in top condition. The archaeological evidence for this provision is a myriad of organic remains (i.e. seeds, bones, pollen) as well as ceramic containers such as amphorae.

One of the first military camps at Nijmegen, together with that on the Hunerberg, was Kops Plateau. This timber fortress – the most northerly military site of the Julio-Claudian period – dating from 12 BC to AD 69, has provided an extraordinary amphora assemblage. At a time when most Roman roads were still only projects, this distant military outpost received amphora products from all over the Mediterranean basin – from Palestine to Greece in the east to Baetica and northern Africa in the west as well as from the Italian core. In addition to amphorae, Kops Plateau also provided a wide repertory of regional vessels whose contents are unknown.

The amphorae from Kops Plateau represent a singular example of Roman military supply in northern Europe at a very early date. Their analysis sheds light on trading routes in the Atlantic regions, and from Gaul to Germany; indeed also on the Claudian invasion of Britain.
Warriors and other Men Notions of Masculinity from the Late Bronze Age to the Early Iron Age in Scandinavia by Lisbeth Skogstrand. vi+182 pages; illustrated throughout with 18 colour plates. 262 2016. Available both in printed and e-versions. Printed ISBN 9781784914172. £38.00 (No VAT). Epublication ISBN 9781784914189. £15.83 (Exc. VAT) Institutional Price £38.00 (Exc. UK VAT) Book contents pageBuy Now

What is considered masculine is not something given and innate to males but determined by cultural ideas and ideals constructed through performative practices – today and in the past. This book questions whether androcentric archaeology has taught us anything about prehistoric men and their masculinities. Starting from broad discussions of feminist theory and critical men’s studies, this study examines how notions of masculinity are expressed in cremation burials from the Late Bronze Age to the end of the Roman Period (1100 BC - 400 AD) in Eastern Norway and Funen in Denmark. It is argued that notions of masculinity were deeply intertwined with society, and when central aspects like war systems, task differentiation, or technology changed, so did gender and ideas of masculinity and vice versa.

In the Late Bronze Age, an idealisation and sexualisation of the male body related to warrior esthetic was probably essential to the performance of masculinity. In the Early Roman Period, masculinity became bounded by what it was not – the unmanly. Warrior capabilities were the most prominent ideals of masculinity and concepts of unmanliness structured society, highlighting divergences between men and women. In the Late Roman Period, society grew more complex and multiple contemporary, possibly complementary masculinities associated with the rising class of free peasants, specific roles and regional differences developed and the warrior lost the dominant position as masculine ideal.
Late Bronze Age Flintworking from Ritual Zones in Southern Scandinavia by Mirosław Masojć. xi+264 pages; illustrated throughout in black & white with 5 colour plates. 254 2016. Available both in printed and e-versions. Printed ISBN 9781784913793. £30.00 (No VAT). Epublication ISBN 9781784913809. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

This book is devoted to flintworking encountered in the so-called cult houses and ritual zones from the Late Bronze Age in southern Scandinavia, where thousands of barrows were built in the period from the Neolithic to the end of the Early Bronze Age. Considerable numbers of the barrows are still distinctly visible in the landscape of the area today. In the Late Bronze Age, the cult houses, as well as other ritual constructions in various forms, were built into the older barrows’ mounds or were located on their edges. The excavated material from Jutland abounds in flint artefacts, which nearly always constitute the predominating category of finds.
Ritual Landscapes and Borders within Rock Art Research Papers in Honour of Professor Kalle Sognnes edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal. i-viii, 1-188 pages, illustrated in colour throughout. 190 2015. Available both in print and Open Access. Printed ISBN 9781784911584. £42.00 (No VAT). Epublication ISBN 9781784911591. Download Full PDF   Buy Now

Ritual landscapes and borders are recurring themes running through Professor Kalle Sognnes' long research career. This anthology contains 13 articles written by colleagues from his broad network in appreciation of his many contributions to the field of rock art research. The contributions discuss many different kinds of borders: those between landscapes, cultures, traditions, settlements, power relations, symbolism, research traditions, theory and methods.

We are grateful to the Department of Historical studies, NTNU; the Faculty of Humanities; NTNU, The Royal Norwegian Society of Sciences and Letters and The Norwegian Archaeological Society (Norsk arkeologisk selskap) for funding this volume that will add new knowledge to the field and will be of importance to researchers and students of rock art in Scandinavia and abroad.
Small Things – Wide Horizons Studies in honour of Birgitta Hårdh edited by Lars Larsson, Fredrik Ekengren, Bertil Helgesson and Bengt Söderberg. 308 pages; illustrated throughout in black & white. 172 2015. Available both in printed and e-versions. Printed ISBN 9781784911317. £44.00 (No VAT). Epublication ISBN 9781784911324. £15.83 (Exc. VAT) Institutional Price £44.00 (Exc. UK VAT) Book contents pageBuy Now

This publication honours Birgitta Hårdh on her 70th birthday. Birgitta Hårdh is one of the leading experts on European Viking Age, engaged in diverse research projects, and also a vital collaborator in various networks specializing in the period. Through time, Birgitta has extended her research to comprise other periods of the Iron Age.

A feature common to all Birgitta Hårdh’s research is that she has been able, through analysis of a body of finds, to broaden the perspective, not least geographically through her profound knowledge of phenomena in Northern Europe and indeed all of Europe. Therefore, this book has been given the title Small Things – Wide Horizons.

A total of fourty titles have been submitted to the volume. The presentations include a number of perspectives mainly of Iron Age. Themes as silver economy, coins, trinkets, burials, crafts, farms and fields, centrality and transformations give a view of the variation of contributions nationally and internationally.
Connecting Networks: Characterising Contact by Measuring Lithic Exchange in the European Neolithic edited by Tim Kerig and Stephen Shennan. x+167 pages; illustrated throughout in black & white. 162 2015. Available both in printed and e-versions. Printed ISBN 9781784911416. £34.00 (No VAT). Epublication ISBN 9781784911423. £16.00 (Exc. VAT) Institutional Price £34.00 (Exc. UK VAT) Book contents pageBuy Now

This volume brings together a group of peer reviewed papers, most of them presented at a workshop held at the Institute of Archaeology, University College London. The event took place on 15–17 October 2011 and was part of the European Research Council (ERC) funded project Cultural Evolution of Neolithic Europe (EUROEVOL 2010-2015).

The aim of the EUROEVOL project is to contribute to the new interdisciplinary field of cultural evolution that has developed over the last 30 years, and at the same time use these ideas and methods to address specific questions concerning the links between demographic, economic, social and cultural patterns and processes in the first farming societies of temperate Europe. The aim of the EUROEVOL project is to do that for the first time, and in doing so to provide the basis for a new account of the role of farming in transforming early European societies, c.6000-2000 cal BCE.
Quarrying in Western Norway An archaeological study of production and distribution in the Viking period and Middle Ages by Irene Baug. xii+176 pages; illustrated throughout in black & white with 8 colour plates. 153 2015. Available both in printed and e-versions. Printed ISBN 9781784911027. £34.00 (No VAT). Epublication ISBN 9781784911034. £15.83 (Exc. VAT) Institutional Price £34.00 (Exc. UK VAT) Book contents pageBuy Now

The theme of this study is the large-scale exploitation of different stone products that took place in Norway during the Viking Age and the Middle Ages (c. AD 800–1500). The research is based on analyses of two different quarry landscapes in Western Norway: the quernstone quarries in Hyllestad, Sogn og Fjordane, and the bakestone quarries in Ølve and Hatlestrand, Hordaland. The centre of attention is the production of utility artefacts: quernstones, millstones and bakestones, and more symbolic products such as stone crosses. The production landscapes are also assessed within wider socio-economic perspectives related to organisation, control and landownership. Following the different products, from production in the quarries to their distribution and use in both urban and rural contexts in Northern Europe, questions regarding trade and networks are addressed. The material is also discussed and assessed in wider methodological and theoretical contexts, and an aim is to illuminate the control and right of use related to the quarrying, also to examine the groups of actors behind production as well as distribution and trade.
WreckProtect: Decay and protection of archaeological wooden shipwrecks edited by Charlotte Gjelstrup Björdal & David Gregory, with assistance from Athena Trakadas. viii+154 pages; illustrated throughout in colour. Hardback.. 65 2012. Available both in printed and e-versions. Printed ISBN 9781905739486. £14.95 (No VAT). Buy Now

This book stems from the results of an interdisciplinary European Union supported research project, WreckProtect, which investigated the decay and preservation of wooden shipwrecks under water in the Baltic Sea. It is not limited to the decay of wrecks in the Baltic alone and is aimed at all stakeholders with a vested interest in the protection of the underwater cultural heritage including marine archaeologists, conservators, engineers, and students in related fields at universities around the world. The book includes chapters on the anatomy and structure of wood and the physical and biological decay of shipwrecks under water. Well-known shipwrecks in the Baltic Sea are introduced, focusing upon their state of preservation and are compared to finds typically found in the North Sea and the Mediterranean. Microbial decay processes and their identification in both sediments and the water column are also discussed and related to other natural decay processes, as well as human impacts. Finally, a summary of available methods for the in-situ protection of wrecks is presented and a cost-benefit analysis of in-situ preservation versus conventional raising and conservation is given. Contents: 1) Introduction; 2) The Baltic Sea: a unique resource of underwater cultural heritage; 3) Other European waters; 4) The Baltic Sea environment; 5) Wood as material; 6) Wood degraders in the Baltic Sea; 7) The decay process of shipwreck timbers in the Baltic; 8) Spread of shipworm into the Baltic; 9) In-situ preservation of a wreck site; 10) Future research.
Mapping Doggerland: The Mesolithic Landscapes of the Southern North Sea edited by Vincent Gaffney. Kenneth Thomson and Simon Finch. xii+131 pages; paperback; illustrated throughout in colour and black and white. 31 2007. Available both in printed and e-versions. Printed ISBN 9781905739141. £28.00 (No VAT). Epublication ISBN 9781784913250. £15.83 (Exc. VAT) Institutional Price £28.00 (Exc. UK VAT) Buy Now

12,000 years ago the area that now forms the southern North Sea was dry land: a vast plain populated by Mesolithic hunter-gatherers. By 5,500 BC the entire area had disappeared beneath the sea as a consequence of rising sea levels. Until now, this unique landscape remained hidden from view and almost entirely unknown. The North Sea Palaeolandscape Project, funded by the Aggregates Levy Sustainability Fund, have mapped 23,000 km2 of this “lost world” using seismic data collected for mineral exploration. "Mapping Doggerland" demonstrates that the North Sea covers one of the largest and best preserved prehistoric landscapes in Europe. In mapping this exceptional landscape the project has begun to provide an insight into the historic impact of the last great phase of global warming experienced by modern man and to assess the significance of the massive loss of European land that occurred as a consequence of climate change. Contents: 1) Mapping Doggerland Vincent Gaffney and Kenneth Thomson; 2) Coordinating Marine Survey Data Sources (Mark Bunch, Vincent Gaffney and Kenneth Thomson); 3) 3D Seismic Reflection Data, Associated Technologies and the Development of the Project Methodology (Kenneth Thomson and Vincent Gaffney); 4. Merging Technologies: The integration and visualisation of spatial data sets used in the project (Simon Fitch, Vincent Gaffney and Kenneth Thomson); 5) A Geomorphological Investigation of Submerged Depositional Features within the Outer Silver Pit, Southern North Sea (Simon Fitch, Vincent Gaffney and Kenneth Thomson; 6) Salt Tectonics in the Southern North Sea: Controls on Late Pleistocene-Holocene Geomorphology (Simon Holford, Kenneth Thomson and Vincent Gaffney); 7) An Atlas of the Palaeolandscapes of the Southern North Sea (Simon Fitch, Vincent Gaffney, Kenneth Thomson with Kate Briggs, Mark Bunch and Simon Holford); 8) The Potential of the Organic Archive for Environmental Reconstruction: An Assessment of Selected Borehole Sediments from the Southern North Sea (David Smith, Simon Fitch, Ben Gearey, Tom Hill, Simon Holford, Andy Howard and Christina Jolliffe); 9) Heritage Management and the North Sea Palaeolandscapes Project (Simon Fitch, Vincent Gaffney and Kenneth Thomson).

See further information at Mapping Doggerland
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