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NEW: CAA2016: Oceans of Data Proceedings of the 44th Conference on Computer Applications and Quantitative Methods in Archaeology edited by Mieko Matsumoto and Espen Uleberg. Paperback; 205x290mm; vi+562 pages; illustrated throughout in colour and black & white (228 plates in colour). 495 2018. Available both in print and Open Access. Printed ISBN 9781784917302. £95.00 (No VAT). Epublication ISBN 9781784917319. Book contents pageDownload

CAA2016: Oceans of Data gives an up-to-date overview of the field of archaeology and informatics. It presents ground-breaking technologies and best practice from various archaeological and computer science disciplines. The articles in this volume are based on the foremost presentations from the 44th Computer Applications in Archaeology Conference 2016, held in Oslo. The theme of CAA2016 was ‘Exploring Oceans of Data’, alluding to one of the greatest challenges in this field: the use and reuse of large datasets that result both from digitalisation and digital documentation of excavations and surveys.

The volume contains 50 peer-reviewed and highest-ranked papers that are divided in eight parts, including an introduction and seven chapters. The introduction sets the stage with Oceans of Data (C.-E. Ore) and Theorising the Digital (S. Perry and J. S.Taylor), discussing the current status of overall CAA research. These two papers present the current developments, challenges, and potential that lies ahead from different perspectives. Ore points to the importance of common authority systems and ontologies. Common conceptual data models will ease curation and secure long-term reusability. Perry and Taylor address the need to bring together theoretical and digital archaeology. In the following chapters, different topics are presented under the headings Ontologies and Standards, Field and Laboratory Data Recording and Analysis, Archaeological Information Systems, GIS and Spatial Analysis, 3D and Visualisation, Complex Systems Simulation, and Teaching Archaeology in the Digital Age.

About the Editors
Mieko Matsumoto is a member of the scientific staff at the Museum of Cultural History, the University of Oslo. With an education and research background from Japan, Norway, and Poland, she is an archaeologist with a wide knowledge of international lithic technology. Her research specialty focuses on the European Palaeolithic and the Norwegian Stone Age. She is a long-standing member of CAA International and CAA-Norway, with numerous publications on ICT and archaeology.

Espen Uleberg is the coordinator of the Digital Documentation Section at the Museum of Cultural History, the University of Oslo. With an education and research background from Germany and Norway, he is an archaeologist working with digitising museum collections since the early 1990s. He has international experience and knowledge over the use of field GIS and databases. He was chair of the organising committee of CAA2016, and is a long-standing member of CAA International and CAA-Norway, with numerous publications on ICT and archaeology.
NEW: Bronze Age Metalwork: Techniques and traditions in the Nordic Bronze Age 1500-1100 BC by Heide W. Nørgaard. Paperback; 205x290mm; xii+502 pages; 290 figures (244 plates in colour). 474 2018. Available both in print and Open Access. Printed ISBN 9781789690194. £85.00 (No VAT). Epublication ISBN 9781789690200. Book contents pageDownload

Bronze ornaments of the Nordic Bronze Age (neck collars, belt plates, pins and tutuli) were elaborate objects that served as status symbols to communicate social hierarchy. The magnificent metalwork studied here dates from 1500-1100 BC. An interdisciplinary investigation of the artefacts was adopted to elucidate their manufacture and origin, resulting in new insights into metal craft in northern Europe during the Bronze Age. Based on the habitus concept, which situates the craftsmen within their social and technological framework, individual artefact characteristics and metalworking techniques can be used to identify different craft practices, even to identify individual craftsmen. The conclusions drawn from this offer new insights into the complex organisation of metalcraft in the production of prestige goods across different workshops. Several kinship-based workshops on Jutland, in the Lüneburg Heath and Mecklenburg, allow us to conclude that the bronze objects were a display of social status and hierarchy controlled by, and produced for, the elite – as is also seen in the workshops on Zealand. Within the two main metalworking regions, Zealand and central Lower Saxony, workshops can be defined as communities of practice that existed with an extended market and relations with the local elite. Attached craft, in the sense that the craftspeople fully depended on a governing institution and produced artefacts as a manifestation of political expression, was only detected on Zealand between 1500-1300 BC.

The investigation presented here showed that overall results could not be achieved when concentrating only on one aspect of metalwork. Highly skilled craft is to be found in every kind of workshop, as well as an intensive labour input. Only when considering skill in relation to labour input and also taking into account signs of apprenticeship and cross-craft techniques, as well as the different categories of mistakes in crafting, can a stable image of craft organisation be created.

About the Author
HEIDE W. NØRGAARD is a postdoctoral researcher at the Department of Archaeology and Heritage Studies at the University of Aarhus, Denmark, where she graduated and received her PhD in 2014. With the background as an educated goldsmith, she is working with metal artefacts trying to solve craft technical problems from the Bronze to the early Iron Ages in Northern Europe. Heide W. Nørgaard is currently working on reconstructing the earliest metal trading routes towards Scandinavia, based on over 500 lead isotope analysis of the first half of the 2nd millennium BC.
NEW: Etnicidad vs. Aculturación: Las necrópolis castellanas de los siglos V-VI d.C. y el asentamiento visigodo en la Península Ibérica. Una mirada desde la meseta sur by Rafael Barroso Cabrera. Paperback; 203x276mm; 238 pages; illustrated throughout in black & white. Spanish text with English summary. (Print RRP £35.00). 72 2018. Available both in print and Open Access. Printed ISBN 9781789690798. £35.00 (No VAT). Epublication ISBN 9781789690804. Book contents pageDownload

The Visigoth settlement in the Iberian Peninsula and its relationship with the archaeological record of the 5th-6th centuries AD continues to be one of the most controversial issues in Spanish archaeology. The controversy relates to politics as much as it relates to archaeological research with two points remaining particularly controversial: the alleged use of the Visigoth past by the Francoist intelligentsia as an ideological affirmation of the regime and the contribution of archaeologist Julio Martínez Santa-Olalla in supporting and enabling this re-interpretation of Visigothic archaeology.

The purely archaeological aspect of the controversy relates to an archaeological interpretation, stemming from the ranks of the so-called New Archeology, of the Castilian necropoleis containing grave goods of Pontic-Danubian type. This interpretation places special emphasis on social and cultural phenomena above the ethnic criteria defended by the Vienna School.

This volume approaches the ideological question that underlies these controversies, as well as their repercussions in the direction adopted by later archaeological investigations in relation to the history of Spain. The author attempts to deconstruct the work of Martínez Santa-Olalla and places it in the context of the scientific production of his time. At the same time, it relativizes the role played by the Visigoth period in the Francoist ideological construction.

Once the discussion is framed in these terms, the author dedicates his study to a refutation of the cultural interpretation of the phenomenon of the Visigothic necropoleis of the Castilian plateau based on the archaeological data and by comparing this data with literary sources. The study also addresses two other historical problems that could be related to the Gothic settlement in the Castilian plateau: the creation of the bishopric of Segovia and the flourishing of the city of Toledo.

El asentamiento visigodo en la Península Ibérica y su relación con el registro arqueológico de los siglos V-VI d.C. continúa siendo en la actualidad una de las cuestiones más controvertidas de la arqueología española. Gran parte de esa controversia tiene que ver con aspectos que trascienden a la propia investigación arqueológica y nos sitúan en el plano de la política. Así, a la hora de abordar el problema hay dos puntos que han resultado especialmente polémicos: la presunta utilización del pasado visigodo por parte de la intelectualidad franquista como afirmación ideológica del régimen y la contribución del arqueólogo burgalés Julio Martínez Santa-Olalla en la fijación del esquema de arqueología visigoda.

Por otro lado, el aspecto puramente arqueológico de la controversia tiene que ver con la interpretación que desde las filas de la denominada New Archaeology se viene realizando de las necrópolis castellanas con ajuares de tipo póntico-danubiano. Dicha interpretación hace especial hincapié en fenómenos sociales y culturales por encima de los criterios étnicos defendidos por la Escuela de Viena. El presente estudio aborda de forma lúcida la cuestión ideológica que subyace detrás de la polémica, así como las repercusiones que ha tenido en la posterior dirección adoptada por la investigación arqueológica en relación con la propia historia de España. En este sentido, el autor realiza un ejercicio de deconstrucción de la figura de Martínez Santa-Olalla y lo sitúa en el contexto de la producción científica de su época. Al mismo tiempo, relativiza el papel desempeñado por el periodo visigodo en la construcción ideológica franquista.

Una vez situada la discusión en estos términos, el autor dedica su estudio a una refutación de la interpretación en clave cultural del fenómeno de las necrópolis visigodas de la meseta castellana desde los propios datos arqueológicos y a partir del cotejo de estos datos con los testimonios que proporcionan las fuentes literarias. Además, el presen
NEW: Han Dynasty (206BC–AD220) Stone Carved Tombs in Central and Eastern China by Chen Li. Paperback; 203x276mm; xiv+216 pages; illustrated throughout in colour and black & white (146 colour plates). (Print RRP £58.00). 71 2018. Available both in print and Open Access. Printed ISBN 9781789690774. £58.00 (No VAT). Epublication ISBN 9781789690781. Book contents pageDownload

Han Dynasty (206 BC–AD 220) stone carved tombs were constructed from carved stone slabs or a combination of moulded bricks and carved stones, and were distributed in Central and Eastern China. Such multi-chambered stone tombs were very popular among the Han people, but they were entirely new, and were a result of outside stimuli rather than an independent development within China. The stone carved tombs were a result of imitating royal rock-cut tombs, while the rock-cut tombs were stimulated by foreign examples. Moreover, many details of stone carved tombs also had Western features. These exotic elements reflected the desire to assimilate exotica within Chinese traditions. Some details within stone carved tombs showed high level of stone working technologies with Western influences. But in general the level of stone construction of the Han period was relatively low. The methods of construction showed how unfamiliar the Western system was to the Han artisans. Han Dynasty stone carved tombs were hybrids of different techniques, including timber, brick and stone works. From these variations, Han people could choose certain types of tombs to satisfy their specific ritual and economic needs. Not only structures, but also pictorial decorations of stone carved tombs were innovations. The range of image motifs was quite limited. Similar motifs can be found in almost every tomb. Such similarities were partly due to the artisans, who worked in workshops and used repertoires for the carving of images. But these also suggest that the tombs were decorated for certain purposes with a given functional template. Together with different patterns of burial objects and their settings, such images formed a way through which the Han people gave meaning to the afterworld. As the Han Empire collapsed, stone carved tombs ceased being constructed in the Central Plains. However, they set a model for later tombs. The idea of building horizontal stone chamber tombs spread to Han borderlands, and gradually went further east to the Korean Peninsula. In this book, the origins, meanings and influences of Han Dynasty stone carved tombs are presented as a part of the history of interactions between different parts of Eurasia.

About the Author
Chen Li, DPhil (Oxon.), is an assistant professor at the School of Humanities, Tongji University (Shanghai, China). His main research interests include art and archaeology of early China, structures and contents of Chinese tombs, as well as interactions between Central China and Inner Asia. He has published English and Chinese articles in different peer-reviewed journals or edited volumes. His article Rethinking the origins of Han Dynasty stone carved tombs won the 2014 Young Scholar Award, European Association for Chinese Studies. Currently he leads a research project Constructing Stone Tombs in Early Imperial China funded by the National Social Science Foundation of China.
'Men, Friends': The Sociological Mechanics of Xenophontic Leaders Winning Subordinates as Friends Taken from At the Crossroads of Greco-Roman History, Culture, and Religion: Papers in Memory of Carin M. C. Green edited by Sinclair W. Bell and Lora L. Holland. Pages 31-44.Download

By Robert Holschuh Simmons

Inquiries into the skills and effectiveness of leaders described in Xenophon’s works, particularly the Anabasis and Cyropaedia, have been popular in the past few decades, not just in classics, but also in the fields of political science, management, and public administration. Some of that attention has been dedicated to the particular techniques that Xenophon’s featured leaders use to win over their subordinates. One technique is their use of friendship (φιλία). What it actually means for a subordinate to perceive a leader as a 'friend' (φίλος), though, and not just an advocate, well-wisher, or panderer, tends not to be thoroughly explored...
Invisible Value or Tactile Value? Steatite in the Faience Complexes of the Indus Valley Tradition Taken from Walking with the Unicorn: Social Organization and Material Culture in Ancient South Asia edited by Dennys Frenez, Gregg M. Jamison, Randall W. Law, Massimo Vidale and Richard H. Meadow. Pages 389-394.Download

By Heather M.-L. Miller and Jonathan Mark Kenoyer

Objects made of faience (composition, frit or siliceous paste) were found across much of Eurasia for millennia, yet this material is hardly known today. Faience or siliceous paste objects were made with many different recipes and production methods, but there is an unusual, apparently unique, variation in faience composition for some objects in the Indus. Some Indus siliceous paste objects include steatite (talc) fragments, invisible on the surface and requiring laboratory analysis for detection. These invisible inclusions could have been valued as a symbol of Indus identity, as is suggested for other uses of steatite during the Indus period. Alternatively, these inclusions could be of technological value; although strength or special compositional requirements do not seem to fit this case, Kenoyer’s recent experiments suggest the addition of small amounts of steatite aids in the workability of some types of siliceous paste. Is this an either/or situation, or could both of these values be considerations in the addition of steatite fragments? This is an important option to consider beyond the usual oppositional approach to production and consumption explanations for material choices, and one that requires extra thought in archaeological research design and analysis.
NEW: The River: Peoples and Histories of the Omo-Turkana Area edited by Timothy Clack and Marcus Brittain. Paperback; 210x210mm; xii+186 pages; illustrated throughout in colour and black & white (121 colour plates). (Print RRP £40.00). 480 2018. Available both in print and Open Access. Printed ISBN 9781789690330. £40.00 (No VAT). Epublication ISBN 9781789690347. Book contents pageDownload

The Omo-Turkana area is unlike any place on earth. Spanning parts of Ethiopia, South Sudan and Kenya, the area is today home to a unique diversity of peoples and cultures. Extraordinary fossil finds from the locale have illuminated the evolutionary origins of our species and archaeological and historical evidence has demonstrated it has been a dynamic crossroads of peoples, languages and identities for millennia. Over the past two decades, development interventions have transformed the environment and presented a threat to local forms of material and intangible heritage. Many local groups now face challenges to the long-term sustainability of their traditional ways of life. This sumptuously illustrated book brings together a remarkable collection of the world’s leading archaeologists, ecologists, historians and ethnographers who specialise in the locale. Recognising the Omo-Turkana area as a crucial resource of global heritage, the authors also acknowledge its current vulnerability.

‘The current socio-economic and political happenings in the Omo-Turkana Basin are profoundly disturbing. Showcasing the area’s global importance, this compilation is a timely and crucial landmark in the pages of African history and archaeology’. - Dr Richard Leakey, Turkana Basin Institute

‘Written by eminent scholars, this book showcases the rich and unique heritage of the Lower Omo Valley from prehistory to the present’. - Prof Tekle Hagos, Addis Ababa University

‘This collection of essays highlights the deep history of the Omo-Turkana basin, and the material and cultural traditions of the region’s inhabitants past and present. The reader is treated to rich, textured insights into the remarkable heritage of this part of the African continent, the many environmental and political challenges facing today’s inhabitants, and their continuing resilience in the face of adversity’. - Prof Paul Lane, University of Cambridge

Naturvorstellungen im Altertum Schilderungen und Darstellungen von Natur im Alten Orient und in der griechischen Antike edited by Florian Schimpf, Dominik Berrens, Katharina Hillenbrand, Tim Brandes and Carrie Schidlo. ii+285 pages; illustrated throughout in colour and black & white (56 colour plates). German text. 411 2018. Available both in print and Open Access. Printed ISBN 9781784918255. £32.00 (No VAT). Epublication ISBN 9781784918262. Book contents pageDownload

Everyone who investigates pre-modern concepts of nature cannot avoid a critical reflection on the ancient understandings of it. Here, “nature” is understood in the sense of a seemingly untouched space, largely independent of human culture. While this concept of “nature” is prevalent in modern times, the reconstruction of ancient ideas is difficult in that concepts of nature, if at all present, emphasize other aspects. For example, the Greek term φύσις in pre-Hellenistic times defines the nature of a thing rather than an untouched environment. A word for “nature” in this sense has not been handed down to us in the remaining texts of the Ancient Near East and Classical Antiquity. Nevertheless, such concepts can certainly be reconstructed from descriptions of nature to be found in literature and the representations of natural elements in art.

The present volume aims at identifying these concepts of nature in texts as well as in archaeological remains of the Ancient Near Eastern and the Greek culture from the Archaic to the Hellenistic period. Contributions from the fields of archaeology and philology are juxtaposed for each time period in chronological order. This arrangement provides a good overview of the concepts of nature prevailing throughout different period and cultures.

GERMAN DESCRIPTION: Der Begriff „Natur“ wird in modernen, mitteleuropäischen Gesellschaften meist im Sinne eines vermeintlich unberührten Raumes verstanden, der weitgehend unbeeinflusst von menschlicher Kultur ist. Für vormoderne Kulturen lassen sich solche Vorstellungen bzw. Konzepte sehr viel schwieriger nachweisen, da beispielsweise ein Wort für „Natur“ mit der eben genannten Bedeutung in den erhaltenen Texten des Alten Orients und der griechischen Antike so nicht überliefert zu sein scheint. Gleichwohl werden durchaus Naturelemente in der antiken Literatur, der Flächenkunst sowie in antiken Monumenten beschrieben bzw. abgebildet sowie als integrative Bestandteile genutzt und funktionalisiert. Daraus lassen sich Konzepte von „Natur“ herausarbeiten und rekonstruieren. Der vorliegende Band möchte solche „Naturkonzepte“ in Texten, Artefakten und Denkmälern des Alten Orients und des griechischen Kulturraumes von der Archaik bis in den Hellenismus identifizieren und einen Überblick über die jeweils in einem bestimmten Zeit- und Kulturraum vorherrschenden Vorstellungen sowie deren diachrone Entwicklung geben.

About the Editors
FLORIAN SCHIMPF studied Classical Archaeology and History at the universities of Frankfurt and Istanbul, whilst gaining practical experiences by participating in excavations in Priene (Turkey), Portugal and on the Balkans. In 2013 he joined the Research Training Group “Early Concepts of Man and Nature” at the University of Mainz with a project on natural sanctuaries in ancient Greece and Asia Minor. His research interests lie in the fields of religious history, Greek cult practices and metrology.

DOMINIK BERRENS studied Classical Philology and Biology at the University of Freiburg. From 2013-2017 he was part of the Research Training Group “Early Concepts of Man and Nature” at the University of Mainz, where he received his doctorate with a dissertation on social insects in antiquity in 2016. Since October 2017 he has been a postdoctoral researcher working on the project “NOSCEMUS – Nova Scientia: Early Modern Science and Latin” funded by the European Research Council at the University of Innsbruck. His research interests lie in pre-modern scientific texts and ancient drama.

KATHARINA HILLENBRAND studied Classical Philology and German Studies at the Universities of Würzburg and Frankfurt. In 2014 she joined the Research Training Group “Early Concepts of Man and Nature” at the University of Mainz with a project on concepts of volcanic phenomena in Roman antiquity. Currently she is working at the department of Classical Philology at the University o
NEW: Paisajes de la campaña pampeana (siglos XIX y XX): Abordajes desde la Arqueología rural en Argentina edited by Carlos Landa, Virginia Pineau, Emanuel Montanari and Jimena Doval. Paperback; 175x245mm; 244 pages; illustrated throughout in colour and black & white (63 plates in colour). Spanish text with English abstracts. (Print RRP £48.00). 70 2018 South American Archaeology Series 32. Available both in print and Open Access. Printed ISBN 9781789690156. £48.00 (No VAT). Epublication ISBN 9781789690163. Book contents pageDownload

This volume presents a series of papers designed to offer a summary of ongoing research across Argentina that can come under the broad heading of Rural Archaeology.

Table of Contents
Editorial – by C. Landa, V. Pineau, E. Montanari y J. Doval
Introducción – by F. Brittez
La vida cotidiana y su materialidad en Alexandra Colony. Alejandra, Santa Fe, Argentina – by I. Dosztal
"La 26 al fondo": historias de un lugar – by S. Lanzelotti y G. Acuña
Los estancieros y/o hacendados en el San Vicente de mediados del siglo XIX a principios del siglo XX – by M. López, M. Torres Núñez y M. Vommaro
Entre estancias ganaderas y comercios rurales: Arqueología histórica en Magdalena (Buenos Aires). Los sitios El Santuario I y Estancia Bertón. – by M. S. García Lerena
Excavando la casa del juez: arqueología histórica en el sitio “Estancia el Rosario” Ayacucho, Buenos Aires – by F. Gómez Romero
El espacio fronterizo y el poblamiento rural del sur bonaerense desde una perspectiva arqueológica (segunda mitad del siglo XIX) – by V. Bagaloni
A través de una década de arqueología rural en el norte pampeano: pulperías, caminos, puestos y poblados (fines del siglo XIX y principios del XX – by C. Landa, V. Pineau, J. Doval, L. Coll, E. Montanari, A. Andrade, F. Caretti y A. Rearte
NEW: Aprovechamiento de vertebrados terrestres por las poblaciones humanas que habitaron la costa del Golfo San Matías (Río Negro, Argentina) durante el Holoceno tardío by Hernán A. Marani. Paperback; 175x245mm; 284 pages; illustrated throughout in colour and black & white (109 plates in colour). Spanish text with English abstract. (Print RRP £58.00). 69 2018 South American Archaeology Series 31. Available both in print and Open Access. Printed ISBN 9781789690118. £58.00 (No VAT). Epublication ISBN 9781789690125. Book contents pageDownload

This book presents the results and discussion of archaeofaunal studies which took place in the northern San Matías Gulf (Rio Negro Province) during the last six years, focussing on terrestrial mammals and birds. The general objective of this research is to determine what was the mode of operation of terrestrial vertebrates (small and big), and the importance that they had in the survival of human populations that occupied the coastline during the late Holocene (last 3000 years).
NEW: Quebrando rocas, una aproximación metodológica para el estudio del cuarzo en contextos arqueológicos de Córdoba (Argentina) by Eduardo Pautassi. Paperback; 175x205mm; vi+214 pages; illustrated throughout in colour and black & white (73 plates in colour). Spanish text. (Print RRP £48.00). 68 2018 South American Archaeology Series 30. Available both in print and Open Access. Printed ISBN 9781789690095. £48.00 (No VAT). Epublication ISBN 9781789690101. Book contents pageDownload

This book offers a valuable contribution to the development of a methodology to address the study of archaeological quartz artifacts, combining various analytical tools to study these objects so that we might better understand the technological strategies of hunting societies who made use of this raw material.

La meta de este libro es aportar al desarrollo de una metodología para abordar el estudio de artefactos arqueológicos de cuarzo, focalizándose en la combinación de diversas herramientas analíticas que permitan estudiar estos utensilios y contribuir así a una mejor comprensión de las estrategias tecnológicas de las sociedades cazadoras recolectoras que hicieron uso de esta materia prima. Ello implica, por un lado, evaluar el potencial de dicha roca para la producción de instrumentos líticos, considerando las distintas técnicas de talla, así como analizar las propiedades y cualidades de los filos para la realización de diversas actividades de incidencia sobre la materia en general, considerando a las de corte y raspado, en particular. Con el fin de someter a prueba esta propuesta, es que se abordarán como caso de estudio las estrategias tecnológicas implementadas por los grupos cazadores-recolectores que habitaron en el Valle de Calamuchita (provincia de Córdoba) durante el Holoceno medio y tardío, estudiando allí el rol cumplido por el cuarzo como materia prima, así como el uso y manufactura de artefactos de cuarzo en dicho contexto particular. Consta de tres partes principales: la primera de ellas aborda el enfoque metodológico y consta de cinco capítulos; la segunda parte comprende los resultados obtenidos luego de la aplicación de estos desarrollos metodológicos a través de programas experimentales tanto de manufactura como de uso de instrumentos sobre cuarzo ; por último, la tercer parte incluye la aplicación de los resultados obtenidos en el análisis de un caso de estudio en sitios arqueológicos de Calamuchita.
NEW: Technologie du harponnage sur la côte Pacifique du désert d’Atacama (nord du Chili) by Benjamín Ballester Riesco. Paperback; 203x276mm; 78 pages; illustrated throughout in colour and black & white (25 plates in colour); French text, Abstracts in English and Spanish, Foreword in Spanish. (Print RRP £28.00). 67 2018 Paris Monographs in American Archaeology 52. Available both in print and Open Access. Printed ISBN 9781789690279. £28.00 (No VAT). Epublication ISBN 9781789690286. Download

These objects do not have a single purpose. This is the central premise that guides the research within this book. Throughout the volume the reader will follow a representation of a marine hunter-gatherer society, a projection deriving from one of its iconic and most important material assets, the harpoon. This very technical object will be studied not only for its most evident function - hunting at sea – and the work delves into the structural, symbolic, technological and world-building aspects of the human societies that used them. To achieve this goal the text begins with a judgment about the role of marine hunting, its prey, and the agents involved in different coastal societies on the American continent, in order to create a comprehensive framework of reference for the subject. It continues by focussing on clarifying, defining and discussing the concept of harponage from technology compared with other historical and ethnographic cases of marine hunters across the globe. A typology of harpoon points from the Atacama Desert is presented, with classification based on their technical attributes, constituent units, composition features and articulation mechanisms, in order to evaluate the chronological scope and geographical distribution of each one of the types of harpoon heads from the last 7000 years of coastal history. The text then explores the multiple values and meanings of the harpoons of the Atacama Desert. The book finally examines the social reasons that influenced the development of an incredibly sophisticated and complex technology of marine hunting. Inferences that take it out of the sea and away from hunting, towards hypotheses that seek answers in the cultural determinism stemming from technical decisions, to utilise technology as another mechanism to establish and strengthen social bonds in the construction of worlds between different agents and collectives, and no longer as a simple tool to satisfy subsistence needs.

Les objets n’ont pas un seul objectif. Prémisse centrale qui guide le dénouement de ce livre. Dans les pages suivantes le lecteur trouvera une réflexion sur une société des chasseurs-collecteurs marins à partir d’un de ces biens matériaux iconiques et un des plus importantes, le harpon. Cet objet technique sera étudié hors de sa fonction la plus évidente, au-delà de la chasse marine, pour pénétrer les aspects structurels, symboliques, technologiques et de construction du monde de ces collectifs humains. Pour entreprendre ce défi, le texte nous submerge dans un premier temps dans une révision critique sur le rôle de la chasse marine, leurs proies et les agents impliqués dans ces activités et dans différentes sociétés côtières du continent américain, afin de pourvoir un cadre de référence adéquate sur cette thématique. Dans un deuxième moment, nous nous centrons dans l’éclaircissement, la définition et la concrétisation du concept de harponnage depuis la technologie comparée avec d’autres cas historiques et ethnographiques de chasseurs-cueilleurs du monde. Une typologie de têtes de harpon pour le désert d’Atacama est ensuite présentée, fondée sur leurs solutions techniques, leurs unités constitutives, leurs normes de composition et leurs mécanismes d’articulation, pour évaluer ensuite la portée chronologique et la distribution géographique de chaque type au cours des dernières 7000 années d’histoire littorale. Par la suite, le texte tente d’explorer les multiples valeurs et significations des harpons du désert d’Atacama. Dans sa partie finale, notre récit aborde les raisons sociales qui ont permis le développement d’une technologie de chasse marine aussi sophistiquée et complexe. Interprétations qui nous emmènent hors de la mer et loin de la chasse, vers des hypothèses qui cherchent des réponses sur les contraintes culturelles qui se trouvent derrière les décisions techniques, pour concevoir à la technologie comme un mécanisme employé afin d’établir les liens sociaux dans la construction
NEW: Early Maritime Cultures in East Africa and the Western Indian Ocean Papers from a conference held at the University of Wisconsin-Madison (African Studies Program) 23-24 October 2015, with additional contributions by Akshay Sarathi. Paperback; 203x276mm; viii+228 pages; illustrated throughout in colour and black & white (60 plates in colour). 66 2018. Available both in print and Open Access. Printed ISBN 9781784917128. £48.00 (No VAT). Epublication ISBN 9781784917135. Book contents pageDownload

The East African coast and the Western Indian Ocean are regions of global historical significance. This volume contains papers first presented at the conference, Early Maritime Cultures of the East African Coast, held at the University of Wisconsin-Madison on October 23-24, 2015. Rather than limiting publication to the proceedings of the conference, additional contributions were solicited to expand the scope of the research presented and to place East Africa in its broader geographic and cultural contexts. The resulting volume focuses broadly on East Africa and the Western Indian Ocean and unites the papers under the general themes of movement and connection.

These papers represent a multi-disciplinary effort to examine East Africa and the Western Indian Ocean. Multiple lines of evidence drawn from linguistics, archaeology, history, art history, and ethnography come together in novel ways to highlight different aspects of the region’s past and offer innovative avenues for future research. The papers cover a diverse array of topics, including but not limited to: subsistence, watercraft traditions, trade and exchange (especially concerning the Silk Routes), migration, food ways, and familial relationships. This volume is unique in that it includes some speculative research as well, intended to present novel methods to deal with data-poor topics and to start important conversations about understudied topics.

The goal of this volume is to showcase aspects of the complex cultures and histories of this vast region and to emphasize its importance to world history. Ideally, it will generate scholarly and popular interest in the histories and cultures of the region and bring to the fore Africa’s and the Western Indian Ocean’s important (yet often overlooked) role in world historical narratives. It may also serve as a more advanced introduction to East Africa’s and the Western Indian Ocean’s history of interaction with other regions of the Old World and as a survey of methods used to understand the region’s past.

About the Editor
AKSHAY SARATHI is a graduate student of Archaeology at the University of Wisconsin-Madison. His research interests include the zooarchaeology of maritime adaptations, Indian Ocean trade and exchange, and East African coastal archaeology. More specifically, his current research project focuses on the island of Zanzibar, where he has excavated the sites of Unguja Ukuu, Kizimkazi Dimbani, and Kuumbi Cave. Data from these sites will form the basis of his dissertation, which will examine how dietary preferences changed over time at each site in response to various stimuli over time. He currently resides in Madison, WI (USA) with his two feline overlords.
NEW: Digital Imaging of Artefacts: Developments in Methods and Aims edited by Kate Kelley and Rachel K. L. Wood. Paperback; 203x276mm; 190 pages; illustrated throughout in colour and black & white (80 plates in colour). (Print RRP £45.00). 65 2018. Available both in print and Open Access. Printed ISBN 9781789690255. £45.00 (No VAT). Epublication ISBN 9781789690262. Book contents pageDownload

This volume brings together new lines of research across a range of disciplines from participants in a workshop held at Wolfson College, Oxford, on 23rd May 2017. In light of rapid technological developments in digital imaging, the aim in gathering these contributions together is to inform specialist and general readers about some of the ways in which imaging technologies are transforming the study and presentation of archaeological and cultural artefacts. The periods, materials, geography, and research questions under discussion therefore are varied, but the contributions are united in shared interests surrounding the aims of these techniques for imaging objects: what advantages do they offer, whether in research or museum contexts, what limitations are still faced, and how can technological development encourage new types of research and public engagement?

About the Editors
Dr KATE KELLEY received her Doctorate of Philosophy in Assyriology from the University of Oxford in 2018 and is a specialist in the socio-economic history of early Mesopotamia. She is a Research and Teaching Fellow at the University of British Columbia (2018–19), and formerly a Research Associate at the Oriental Institute, Oxford for the project Seals and Their Impressions in the Ancient Near East (2016–17). Kate has been working for the Cuneiform Digital Library Initiative since 2012, including digitizing cuneiform tablets in the Louvre, the National Museum of Scotland, and the Yale Babylonian Collection.

Dr RACHEL K. L. WOOD is Lecturer in Classical Archaeology at Corpus Christi College, Oxford and a Junior Research Fellow at Wolfson College, specialising in the art and archaeology of ancient Iran. In her previous position as a postdoctoral researcher with the British Museum and University of Oxford project Empires of Faith, she was an assistant curator of the Ashmolean Museum’s exhibition Imagining the Divine: art and the rise of world religions (October 2017–February 2018).
NEW: Hatra: Il territorio e l’urbanistica Prefazione di Roberta Venco Ricciardi by Enrico Foietta. Paperback; 203x276mm; x+560 pages; illustrated throughout in colour and black & white (140 plates in colour). Italian text; Introduction and chapter summaries in English. (Print RRP £88.00). 64 2018. Available both in print and Open Access. Printed ISBN 9781789690057. £88.00 (No VAT). Epublication ISBN 9781789690064. Book contents pageDownload

The ancient city of Hatra is located 80 km southwest of the modern city of Mosul. The site reached its apogee during the 2nd and 3rd centuries AD, arriving at the striking dimensions of c. 300 hectares and into a new role as the capital of a significant buffer state between the Parthian and Roman empires.

This volume is devoted to the study of the landscape surrounding Hatra and of the development of this important city, drawing on published information gathered by Iraqi and foreign expeditions, as well as unpublished data garnered from over fifteen years of fieldwork at the site by the Italian Archaeological Expedition.

The study of the landscape comprehends the morphology, hydrology and geology of the region and offers new proposals regarding the exploitation of natural resources and the development of regional and local routes through the territory under Hatra’s political and military control during the 2nd and 3rd centuries AD.

The analysis of Hatra as an urban centre consists of a detailed study of the city’s hydrology, street network and urban areas, with the purpose of detecting the principles behind the planning and development of the city. The main elements of the urban space are treated in this book: the Temenos area and the Small Shrines, the Necropoles, the Fortifications, the Houses, and the Palaces. Due to the cross-referencing of archaeological, historical and epigraphic data, new ideas have been proposed regarding the chronological phases of urbanism at Hatra, from its foundation up to the destruction of the city by the Sasanian army in AD 241.

La città di Hatra si trova nella Jazira irachena a circa 80 km a sud-ovest di Mosul. Il centro raggiunse il suo apogeo durante il II-III sec. d.C., toccando l’impressionante estensione di quasi 300 ettari e divenendo la capitale di un influente stato cuscinetto, collocato tra l’impero partico e l’impero romano.

Questo volume è dedicato allo studio del territorio e dell’urbanistica di questo importante sito antico, impiegando contestualmente informazioni edite, raccolte dalle varie missioni irachene e straniere che si sono avvicendate sul terreno, e inedite, provenienti dal vasto Archivio della Missione Archeologica Italiana a Hatra in più di quindici anni di ricerche sul campo.

Lo studio del territorio definisce un quadro dettagliato della morfologia, idrologia e geologia della regione e dell’area prossima al centro, oltre a proporre alcune nuove ipotesi interpretative sullo sfruttamento delle risorse ambientali, sull’articolazione della rete viaria periurbana e regionale e sull’estensione del territorio sottoposto al controllo politico e militare della città durante il II e III sec. d.C.

L’analisi urbanistica comprende uno studio approfondito dell’idrologia cittadina, della rete stradale e delle aree urbane, allo scopo di individuarne le principali caratteristiche ed eventuali regole nella pianificazione e nello sviluppo della città. Nel libro sono inoltre analizzati i principali elementi che compongono il tessuto urbano: il Temenos e i templi minori, le necropoli, le difese cittadine, le case e i palazzi. Grazie all’utilizzo contestuale del dato archeologico, storico ed epigrafico, è stato inoltre possibile formulare nuove ipotesi sulle fasi urbanistiche e sulla cronologia di Hatra dalla fondazione alla sua distruzione, avvenuta per mano sasanide nel 241 d.C.

ENRICO FOIETTA è dottore di ricerca e borsista presso l’Università degli Studi di Torino. È membro di varie missioni archeologiche nel Vicino Oriente (Siria e Iran). Attualmente collabora attivamente con la Missione Archeologica Congiunta Italo-Iraniana in Khuzistan (ICAR - CRAST), con la Missione Archeologica Italiana a Hatra, con il Centro Ricerche Archeologiche e Scavi di Torino (CRAST) e la Missione Franco-Siriana a Europos-Dura (CNRs Paris).
FORTHCOMING: Le classi ceramiche della “tradizione mista” a Kos nel Tardo Bronzo IA by Salvatore Vitale. Paperback; 203x276mm; 232 pages; 24 tables, 13 colour plates, 38 black & white line drawings, 24 black & white plates. Italian text with English abstract. (Print RRP £38.00). 51 2018. ISBN 9781784918859. Book contents pageDownload

This volume focuses on the pottery classes of the ‘Entangled Tradition’, recovered at the settlement of the ‘Serraglio’ on Kos during the early Late Bronze Age period. The results reveal new information on the chronology, typology, and decoration of Koan Painted Fine (PF) and Painted Medium-Coarse to Coarse (PMC-C) ceramics. Moreover, the analysis of manufacturing processes and consumption patterns contributes to a better comprehension of the socio-cultural and political context in which Koan entangled classes were produced.

The data presented in this volume indicate that PF and PMC-C ceramics represent a unique case of fully entangled classes in the Aegean, which merge features of the Koan ‘Local Tradition’ with characteristics of the Minoan potting tradition into a new technological and stylistic language. Contacts between these different cultures are explained based on the theoretical model provided by ‘human mobility’. The specific Koan cultural synthesis was endorsed and promoted by the local elites of the ‘Serraglio’, who aimed to participate in the ‘new environment’ determined by the economic and cultural expansion of Neopalatial Crete.

In this respect, the manufacture of Koan entangled classes served a dual role. On the one hand, using transport containers made in the PMC-C class, Koan products were exported and exchanged throughout the Aegean. In addition, the finer vessels of the Koan ‘Entangled Tradition’ were utilized for promoting Minoan-type social practices at the ‘Serraglio’. Through these practices, Koan elites reshaped their identity and portrayed an image of higher status within the local social arena.

About the Author
Dr SALVATORE VITALE completed his MA in Classical Literature and PhD in Classical Archaeology at the University of Pisa in 2001 and 2007. After his PhD, Dr Vitale held post-doctoral and research fellowships at the Universities of Calabria, Cincinnati, and Pisa and at the Italian Archaeological School at Athens.

Dr Vitale has taught Aegean Archaeology at the University of Milan and the Italian Archaeological School at Athens, as well as Greek and Roman Archaeology at the University of Pisa. At Pisa, he has also served as one of the editors of the journal ΑΓΩΓΗ.

Since 2009, Dr Vitale has been the director of the ‘Serraglio, Eleona, and Langada Archaeological Project’ (SELAP), a research endeavour under the auspices of the Italian Archaeological School at Athens. In addition, he is currently a senior staff and a chief pottery expert for the Mitrou Archaeological Project in Phthiotida and the Palace of Nestor Excavations at Pylos.
Warts and All: The Paratexts in the Iowa Lucan Taken from At the Crossroads of Greco-Roman History, Culture, and Religion edited by Sinclair W. Bell and Lora L. Holland. Pages 249-260.Download

By Samuel J. Huskey

In the introduction to his edition of Lucan, A. E. Housman raises our hopes of finding a new manuscript of the Pharsalia: 'It may be that somebody roaming through a library will one day stumble upon a hidden treasure . . . ' A couple of years after I graduated from the University of Iowa, exciting news came from Iowa City. The librarians in the Special Collections of the university’s Main Library had, in fact, stumbled upon a hidden treasure: a 15th-century manuscript of Lucan. Before anyone becomes too hopeful, it is important to remember the rest of what Housman had to say about such a prospect: '. . . but those are not the quarters from which Lucan most needs help nor from which most help is to be had.'
Les armes à feu de provenance européenne Taken from Une archéologie des provinces septentrionales du royaume Kongo edited by Bernard Clist, Pierre de Maret and Koen Bostoen. Pages 359-368.Download

By Paul Dubrunfaut et Bernard Clist

L’intérêt porté par les Africanistes aux armes à feu d’importation en Afrique a bien évolué depuis l’étude pionnière de White (1971). Aujourd’hui, ce sont surtout les historiens qui, en s’intéressant aux phénomènes dits d’acculturation ou de « créolisation », replacent l’arme à feu de provenance européenne dans ce contexte très large des influences occidentales sur les cultures traditionnelles. On commence seulement à se rendre compte de l’importance réelle qu’a été l’importation massive d’armes à feu sur le continent africain, notamment dans le cadre de la traite négrière et du commerce de produits indigènes (Macola 2016). Quelques historiens se sont également penchés sur l’impact des armes à feu dans le cadre de la géopolitique et de la stratégie militaire en Afrique précoloniale (Smith 1989; Thornton 1999).
Burial Mounds in Europe and Japan: An Introduction Taken from Burial Mounds in Europe and Japan edited by Thomas Knopf, Werner Steinhaus and Shin’ya Fukunaga. Pages 1-14.Download

By Werner Steinhaus and Thomas Knopf

This book originates from an international workshop held at Tuebingen in Germany between 4th and 6th of November 2015.1 The workshop gathered together for the first time specialists of the European Bronze and Iron Age, and Japanese archaeologists of the Yayoi and Kofun periods to discuss burial mounds as a phenomenon in both parts of the world. The workshop developed out of a growing partnership between German and Japanese archaeology, initiated in part through the development of an exhibition in Mannheim and Berlin organized and directed by Werner Steinhaus in 2004/05 (Wieczorek/Steinhaus/Sahara 2004). The exhibition, entitled ‘Die Zeit der Morgenröte’ (The time of Dawn), displayed the rich archaeology of the Japanese archipelago to a German audience for the first time. It also brought together the editors of this book (Knopf and Steinhaus). Since then, visits, lectures and meetings have taken place between the two countries in order to strengthen the knowledge of Japanese archaeology in Germany and Europe, and vice versa.
ADRIEN DE MORTILLET, THE AURIGNACIAN AND THE ARTHUR DE MARET COLLECTION Taken from The Grotte du Placard at 150: New Considerations on an Exceptional Prehistoric Site edited by Christophe Delage. Pages 45-64.Download

By Philippe Roux

At a time when part of the scientific community was questionning the methods and concepts of their discipline, Adrien de Mortillet chose to use the example of the Placard cave to defend a chronological point established by Gabriel de Mortillet. Henri Breuil, a young abbé, along with fellow prehistorians, took a different approach. Adrien de Mortillet made the Placard site a stake in the chronological positioning of the Aurignacian period. The conditions in which the collection was sold illustrate the trial and error approach to the organisation of power in the field of prehistory. Adrien de Mortillet’s approach was a failure and this undermined his position.
Toponyms, Directions and Tribal Names in the Indus Script Taken from Walking with the Unicorn: Social Organization and Material Culture in Ancient South Asia edited by Dennys Frenez, Gregg M. Jamison, Randall W. Law, Massimo Vidale and Richard H. Meadow. Pages 359-376.Download

By Iravatham Mahadevan and M. V. Bhaskar

Identification of ideograms in the Indus Script depicting the physical features ‘hills’ and ‘plains’, ‘high’ and ‘low’, and the directions ‘West’ and ‘East’, is proposed in the paper. It is also shown that the ideograms, when combined as pairs in the Indus texts, correspond to specific toponyms in the Indus Realm, especially ‘high mountains’, ‘highlands’, ‘western hills’ and ‘eastern hills’. Names of tribes, also serving as place names, depicted by the ideograms are also identified. In Dravidian languages, terms for ‘high’ also denote ‘West’, and terms for ‘low’ also denote ‘East’. The Dravidian usage reveals that the architecture of the Indus cities with the ‘high’ citadel in the west and the ‘lower’ town in the east is in conformity with the Dravidian world view. The results strongly support the Dravidian authorship of the Indus Civilization. The authors acknowledge their indebtedness to the studies by R. Balakrishnan, especially to his insight that it is the Dravidian linguistic usage ‘high-west’ and ‘low-east’ that must have influenced the architecture of the Indus cities.
Tearing the Face in Grief and Rape: Cheek Rending in Medieval Iberia, c. 1100–1300 Taken from New Approaches to Disease, Disability and Medicine in Medieval Europe edited by Erin Connelly and Stefanie Künzel. Pages 43-61.Download

By Rachel Welsh

Cantiga 355 of the Cantigas de Santa Maria, a collection of lyric poems composed or commissioned by King Alfonso X of Castile between 1257 and 1283, tells the story of a young woman who, having been rejected by a prospective lover, took revenge by falsely accusing him of rape. The woman performed the customary gestures of a victim of rape—she appeared in the town rostro rascado, with a scratched face. The man was subsequently convicted and sentenced to execution, his escape from the hangman’s noose effected only through the miraculous intervention of the Virgin Mary.2 Although the woman’s tearing of her face appears only as a side note in this story, detailing how she lodged her false claim of rape, it sheds light on the standard processes for rape accusations in medieval Castile and León during the 12th and 13th centuries. Rather than testifying verbally or providing character witness to swear on her behalf, as with other types of crimes, the raped woman physically demonstrated the validity of her claim by tearing her face, rending her cheeks until they bled.
Multicultural interaction, colonial boundaries and changing group identities: contextualising inscriptions, languages and alphabets Taken from Papers in Italian Archaeology VII: The Archaeology of Death edited by Edward Herring & Eòin O’Donoghue. Pages 138-148.Download

By Ulla Rajala and Karin W. Tikkanen

This paper outlines a project that is building a model for assessing multicultural interaction, which will be used for the study of the expansion of Rome in central Italy in the wider context of Latin colonisation. Its theoretical framework incorporates Social Identity Theory and the concept of mental distance applied to geographically related groups. The key materials studied at this stage are funerary architecture and inscriptions, which reveal different nested aspects of group identities. Here we briefly present the local context of the study – Nepi and the Faliscan area – with the different languages and alphabets used in the area. This area will be compared with its neighbouring areas in order to analyse long-term changes in group identities from the precolonial period to the colonial period.
The Stockholm Volterra Project: exploring a cityscape in an urban context Taken from Papers in Italian Archaeology VII: The Archaeology of Death edited by Edward Herring & Eòin O’Donoghue. Pages 553-562.Download

By Ulla Rajala, Arja Karivieri, Andreas Viberg, Elena Sorge, Alessandro Furiesi, Gianfranco Morelli and Gianluca Catanzariti

This article presents the Stockholm Volterra Project and its developments since 2013. This project, run by Stockholm University and the Department of Archaeology and Classical Studies, has carried out geophysical prospections in Volterra in collaboration with Soprintendenza Archeologia, Belle Arti e Paesaggio per le province di Pisa e Livorno. The aims and methods of the project are outlined together with a closer presentation of key sites from 2014 and 2015: the ‘Football Pitch’, the area in front of the church of San Giusto, the ruined church of Santo Stefano, the amphitheatre and Ortino sites.
Cremation structures and funerary dynamics in Roman Veneto. New perspectives from Padua/Patavium Taken from Papers in Italian Archaeology VII: The Archaeology of Death edited by Edward Herring & Eòin O’Donoghue. Pages 465-476.Download

By Cecilia Rossi and Irene Marini

The present work is aimed to suggest some new perspectives on the funerary customs of Roman Veneto (North-Eastern Italy), with particular attention to the practice in use at the very beginning of the Imperial period, when the Romanisation comes to an end. Moving from a short discussion of the state of the art, the paper focuses on hints produced by a well-preserved burial plot recently discovered at Padua/Patavium, one of the capitals of the ancient Veneto. Dated to the first two centuries CE, the site is firstly introduced from a topographical point of view; then, the spatial arrangement is discussed, with description of structures and their development. Particular attention is given to cremation deposits, the main evidence in the cemetery. Burials are examined starting from the urned examples, followed by unurned deposits, and closing with the analysis of the most representative aspect in the context: busta-type cremation graves, i.e. deposits completely apart from the local tradition, that maybe arrived in Veneto as a result of cultural exchanges that occurred during the Romanisation process. A comparison between archaeological and anthropological data is finally proposed, suggesting several hints in order to better reconstruct both the interment steps and the real function of the great cremation structures.
The Indus Script and Economics. A Role for Indus Seals and Tablets in Rationing and Administration of Labor Taken from Walking with the Unicorn: Social Organization and Material Culture in Ancient South Asia edited by Dennys Frenez, Gregg M. Jamison, Randall W. Law, Massimo Vidale and Richard H. Meadow. Pages 518-525.Download

By Rajesh P. N. Rao

The Indus script remains one of the last major undeciphered scripts of the ancient world. We focus here on Indus inscriptions on a group of miniature tablets discovered by Meadow and Kenoyer in Harappa in 1997. By drawing parallels with proto-Elamite and proto-Cuneiform inscriptions, we explore how these miniature tablets may have been used to record rations allocated to porters or laborers. We then show that similar inscriptions are found on stamp seals, leading to the potentially provocative conclusion that rather than simply indicating ownership of property, Indus seals may have been used for generating tokens, tablets and sealings for repetitive economic transactions such as rations and exchange of canonical amounts of goods, grains, animals, and labor in a barter-based economy.
NEW: Une archéologie des provinces septentrionales du royaume Kongo edited by Bernard Clist, Pierre de Maret and Koen Bostoen. Paperback; 205x290mm; 500pp; illustrated throughout in colour and black & white (approx. 205 plates in colour). French text throughout. 465 2018. Available both in print and Open Access. Printed ISBN 9781784919726. £90.00 (No VAT). Epublication ISBN 9781784919733. Book contents pageDownload

Of all the great kingdoms that flourished in Africa, the Kongo is one of the most famous. It remains an important historical and cultural reference for Africans and their diaspora. The KongoKing inter-university project (2012-2016), funded by the European Research Council, aimed, through an interdisciplinary approach, to understand the origin of the kingdom and to shed light on the phenomena of political centralization, economic integration and linguistic evolution that took place there. This book presents in detail the results of archaeological research carried out by the KongoKing project in the former northern provinces of the Kongo Kingdom, currently located in the Democratic Republic of Congo.

French Description: De tous les grands royaumes qui fleurirent en Afrique, le royaume Kongo est l’un des plus célèbres. Il reste une référence historique et culturelle importante pour les Africains et leur diaspora. Entraînés très tôt dans le commerce de traite, les esclaves originaires de la région font que du Brésil à New York, en passant par les Caraïbes, la culture Kongo a laissé de nombreuses traces.

Le projet interuniversitaire KongoKing (2012-2016), financé par le Conseil Européen de la Recherche a été coordonné par Koen Bostoen, tandis que Bernard Clist et Pierre de Maret en ont dirigé le volet archéologique. Ce projet visait par une approche interdisciplinaire à comprendre l’origine du royaume et à éclairer les phénomènes de la centralisation politique, d’intégration économique et d’évolution linguistique qui s’y sont déroulés .

Cet ouvrage présente de façon détaillée les résultats des recherches archéologiques menées par le projet KongoKing dans les anciennes provinces septentrionales du royaume Kongo, situées actuellement en République Démocratique du Congo. Dans une première partie on présente le contexte général, l’évolution du milieu, l’histoire du groupe linguistique kikongo et ce que l'on sait des périodes qui précèdent le royaume, ainsi que des informations récoltées dans diverses sources historiques sur ces provinces. Les prospections et fouilles des différents sites étudiés sont ensuite présentées. Puis vient le bilan des recherches archéologiques avec une synthèse des datations, une esquisse de la séquence chrono-culturelle de la poterie kongo et les études systématiques des différents types de vestiges récoltés. Pour conclure, on présente la synthèse de l'ensemble de ces découvertes et la façon dont celles-ci viennent compléter les données issues des autres disciplines pour éclairer d'un jour nouveau l'histoire du royaume Kongo.

BERNARD CLIST est actuellement professeur invité de l’Université de Gand (UGent). Il est archéologue depuis 38 ans, spécialiste de l’Afrique centrale où il a dirigé des projets de recherches notamment en Angola, Cameroun, Gabon et Guinée-Equatoriale. Entre 1985 et 1995 il a été le responsable du Département d’Archéologie du CICIBA au Gabon qu’il a créé. Il a aussi réalisé de nombreuses Etudes d’Impact Environnemental pour des sociétés américaines, britanniques, françaises au Gabon et en Zambie. Pendant toutes ces années, il a publié ou co-publié plus de 130 articles et 8 ouvrages. Entre 2015 et 2016, il a contribué à la version finale du dossier de classement par l’UNESCO du centre historique de Mbanza Kongo au Patrimoine Mondial de l’Humanité, chose acquise en juillet 2017.

PIERRE DE MARET est professeur d’anthropologie et d’archéologie à l’Université libre de Bruxelles (ULB) dont il a été le recteur, et Honorary professor à l’University College de Londres. Il poursuit depuis plus de 45 ans des recherches sur le terrain en Afrique centrale et est l’auteur de nombreuses publications sur l’histoire précoloniale, l’anthropologie économique et appliquée, et la gestion culturelle. Membre de l’Académie Royale de Belgique, il est aussi président du conseil scientifique du Musée Royal de l’Afrique Centrale (MRAC)
NEW: Étude paléoanthropologique et analyse des rituels funéraires de deux sites laténiens valaisans Randogne – Bluche et Sion – Parking des Remparts by Tobias Hofstetter. Paperback; 205x290mm; x+240 pages; 171 figs + 6 tables (colour and black & white throughout). French text; English abstract. 444 2018 Laboratoire d’archéologie préhistorique UNIGE . Available both in print and Open Access. Printed ISBN 9781784919375. £45.00 (No VAT). Epublication ISBN 9781784919382. Book contents pageDownload

This volume concerns the bioanthropological analysis and the investigation of Second Iron Age (also known as the La Tène period: 470–25 BC) funerary practices in central Valais. More precisely, it deals with the study of two necropolises lately discovered in this mountainous region of southern Switzerland: Randogne–Bluche (excavated between 2001 and 2005) and Sion–Parking des Remparts (excavated in 2006). The matter of Second Iron Age funeral practices has been investigated since the late 19th century in Switzerland and has ever since yielded many exceptional finds. In archaeological terms, the research presented in this work introduces a consistent summary of the current archaeological and historiographical state of knowledge regarding Second Iron Age funeral practices in southern Switzerland.

Étude paléoanthropologique et analyse des rituels funéraires de deux sites laténiens valaisans : Randogne – Bluche et Sion – Parking des Remparts porte sur l’analyse bioanthropologique et l’étude des rituels funéraires laténiens en Valais central. Plus précisément, elle traite des ensembles funéraires de Randogne – Bluche (fouillé entre 2001 et 2005) et de Sion – Parking des Remparts (fouillé en 2006). Le premier objectif de cette étude a consisté à attribuer une identité et des caractéristiques biologiques aux individus inhumés au sein de ces deux ensembles. Ensuite, il s’est agi de caractériser ces deux ensembles funéraires par leur insertion au cadre géographique et archéologique, de s’intéresser à leur organisation chronologique et spatiale et à l’architecture des sépultures, ainsi qu’aux positions d’inhumation, de même qu’au mobilier funéraire présent. Par la suite, nous avons développé une vision comparative de ces deux ensembles funéraires, avant de finalement les confronter à l’intégralité du corpus funéraire laténien actuellement connu pour le Valais central et ainsi chercher à proposer une vision synthétique de la question.

About the Author
TOBIAS HOFSTETTER (B.A, M.Sc.) was born in Zürich in 1992. He currently works as consulting bioanthropologist to the Laboratory of Prehistoric Archaeology and Bioanthropology at the University of Geneva, where he has collaborated in various archaeological fieldwork operations and bioanthropological assessments, covering the Mesolithic to the Middle Ages, in Switzerland, Italy, Bulgaria, Kuwait and Jordan.

TOBIAS HOFSTETTER (BA ; MSc) est né à Zürich (Suisse) en 1992. Il a obtenu son Bachelor en archéologie préhistorique et classique ainsi qu’en anthropologie à l’Université de Neuchâtel (Suisse) en 2013. Il a poursuivi ses études en Master d’archéologie préhistorique et bioanthropologie à l’Université de Genève (Suisse) ; formation qu’il a terminée en 2016. Il travaille couramment en tant que bioanthropologue consultant pour le laboratoire d’archéologie préhistorique et d’anthropologie de l’Université de Genève. À ce titre, il a participé à de nombreuses campagnes de fouilles archéologiques et expertises bioanthropologiques, s’étendant du Paléolithique jusqu’à la période médiévale, en Suisse, France, Italie, Bulgarie, Koweït et Jordanie. En parallèle, il a repris un deuxième cursus de Master en histoire et littérature anglaise à l’Université de Neuchâtel.
NEW: Grabados rupestres en La Mancha centro: documentación y estudio de un patrimonio desconocido Rock engravings in La Mancha center: documentation and study of an unknown heritage by Rocío Ramiro Rodero, Víctor Manuel López-Menchero Bendicho, Ángel Marchante Ortega, Ángel Javier Cárdenas Martín-Buitrago, Pedro Miguel García Zamorano and Jorge Onrubia Pintado. Paperback; 203x276mm; 116 pages; illustrated throughout with 67 plates in colour. Spanish text with English abstract. 63 2018. Available both in print and Open Access. Printed ISBN 9781784919962. £36.00 (No VAT). Epublication ISBN 9781784919979. Book contents pageDownload

This book deals with the documentation and interpretation of the rock sites located in La Mancha center (Spain), from the detailed study of the symbols that have been engraved in the rock. These sites, from historical times, can provide valuable information for the study of the mentalities and beliefs of the popular classes during the Modern Age, strongly influenced by the atmosphere created after the Counter-Reformation. Crosses, calvaries, orbs, human and animal representations, letters, cup-marks and game boards make up an authentic symbolic universe, of clear Christian roots, whose understanding is possible to achieve even though it requires collaboration between multiple fields of knowledge such as archaeology, theology, numismatics, heraldry, architecture, sculpture, painting...

Unfortunately, researchers have paid scant attention to the issue at hand, assuming paradigms that from our point of view should be reviewed, such as the authorship of the petroglyphs or their chrono-cultural affiliation. The study of the rock formations located in La Mancha center can shed light on these and other subjects, providing a good starting point in order to improve the documentation and interpretation of historical rock engravings in other parts of the world.

El presente libro aborda la documentación e interpretación de las estaciones rupestres localizadas en La Mancha centro (España), a partir del estudio pormenorizado de los símbolos que han sido grabados en la roca. Estas estaciones, de época histórica, pueden proporcionar valiosa información para el estudio de las mentalidades y creencias de las clases populares durante la Edad Media y la Edad Moderna, fuertemente influenciadas por la atmósfera creada tras la Contrarreforma. Cruces, calvarios, orbes, representaciones humanas y de animales, letras, cazoletas y tableros de juego conforman un auténtico universo simbólico, de clara raíz cristiana, cuya comprensión es posible alcanzar aunque requiere de la colaboración entre múltiples ramas del saber como la arqueología, la teología, la numismática, la heráldica, la arquitectura, la escultura, la pintura...

Desafortunadamente, hasta el momento los investigadores han prestado escasa atención al tema que nos ocupa, asumiendo paradigmas que desde nuestro punto de vista deben ser revisados, como la autoría de los petroglifos o su adscripción crono-cultural. El estudio de las estaciones rupestres localizadas en La Mancha centro puede arrojar luz sobre estos y otros temas, proporcionando un buen punto de partida de cara a mejorar la documentación e interpretación de los grabados rupestres de época histórica en otros puntos del mundo.
NEW: Perspectives on materiality in ancient Egypt – agency, cultural reproduction and change edited by Érika Maynart, Carolina Velloza and Rennan Lemos. Paperback; 203x276mm; iv+110 pages; illustrated throughout with 8 plates in colour. 62 2018. Available both in print and Open Access. Printed ISBN 9781784919337. £30.00 (No VAT). Epublication ISBN 9781784919344. Book contents pageDownload

Perspectives on materiality in ancient Egypt – agency, cultural reproduction and change expresses the authors’ broad theoretical interest on materiality and how it helps us to understand the crucial role of material culture in ancient Egyptian society in a more complex way. In the volume, mainly young scholars in Brazil, France, Germany and the UK approach the potential of materiality based on several case studies covering a wide range of topics such as Egyptian art, recent perspectives on sex and gender, hierarchies, and the materiality of textual sources and images.

The idea of gathering young scholars to discuss ‘materiality’ first took place in the form of a colloquium organised in São Paulo, but soon after became a more encompassing project aspiring to produce a publication. The editors’ aimed to include researchers from various places, which makes the volume a materialisation of fruitful collaborations between individuals coming from different scholarly traditions. The combination of different ways of looking at the ancient material culture can hopefully contribute to the renovation of theory and practice in Egyptology. The editors believe that the emphasis on diversity— of background histories, national traditions and mind-sets—is one the main elements that can be used to boost new perspectives in a connected, globalised and hopefully less unequal world.